morgandawn: (Art Noveau Blue)

academia.edu
Fan fiction in the library
Although several notable collections of fan fiction exist in libraries, such as the Sandy Hereld Fanzine Collection at Texas A&M University (http://oaktrust.library.tamu.edu/handle/1969.1/149935) and the digital fanzine archives at the University

Another example of fans not being valued by the world…or by themselves.

“The literature suggests several reasons why fan fiction is largely ignored by libraries, of which the most significant are that fan works are “not proper books” and that they cannot be easily fitted into library structures and processes. These ideas are visible in comments about fan fiction on GoodReads (https://www.goodreads.com/), a book review site:

“I thought this site was for real books. Is there any way to restrict my searches to avoid this stuff?

I thought this site was for reviews about books that I could get from the library …

These commenters might, in fact, enjoy fan fiction, but they believe that it is less appealing than commercially published works, particularly if they are not familiar with it. This lack of awareness and understanding is probably shared by many librarians, present and past, including those who created the bulk of existing library collections and collection development practices. This sets up a vicious circle: libraries don’t collect fan fiction because their patrons don’t expect it to be there because they know libraries don’t collect it.”

Later the paper quotes another fan why fanfiction does not deserve to be preserved:

There is far too much of it and it is a waste of resources…And most fanfiction is only of interest to people who belong to that particular fandom and not the wider populace. ….and “ I don’t think it should be necessarily and actively collected at the level of public library due to its nature; quite impromptu,ephemeral, amateurish and numerous"

Thankfully in the UK, one fanzine publisher (ScotsPress) provided a single copy of each fanzine she published in the 1970s and 1980s to the British Library. This was done as part of the UK’s legal deposit requirement (works published in the UK are to be submitted to the British library.)

The publisher later donated not only her private zine collection to University of Iowa Fanzine Archive, but she also sent scans of over 500 fanzines to Texas A&M University to form the core of their digital fanzine collection (The Sandy Hereld Fanzine Collection)

So a huge thank you to every fan and librarian out there who thinks fans and their fanworks are worth preserving. Women have, for far too long, been told that we and our creations are not valued. And sometimes, it is a story we tell to ourselves. Or impose onto each other.

 

Posted in full at: https://ift.tt/2KZbpz2 on August 27, 2019 at 08:48AM

morgandawn: (Art Noveau Blue)
academia.edu
A brief history of fan fiction in Germany.
Because the history of fan fiction in Germany is not congruent with the more dominant Anglo-American history of fan fiction, it requires separate revision and evaluation. By outlining the history of fan fiction in Germany, we present and discuss

This is neat. On Fanlore years ago I tried to create country specific pages for fandom history to highlight non-US events and contributions. The idea would be to provide a page where we could link info already existing on Fanlore so it would be easier to find. A few fans from one country felt this was segregating their fan experience so we dropped the idea . I did persuade fellow editors to tag fanzines by language. Ex: https://fanlore.org/wiki/Category:German-Language_Zines

 


Posted in full at: https://ift.tt/328HREM on August 27, 2019 at 08:21AM
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/31B3GN0 on August 12, 2019 at 10:57AM

Americans of Conscience Checklist: Week of August 11, 2019 - Americans of Conscience:

If you need a reminder that good people everywhere are speaking up for kindness, welcome, and justice, open this week’s Americans of Conscience Checklist today. Very well laid out, easy to do 1-2 a day.

https://americansofconscience.com/8-11-2019/

Tags:politics, activism, resistance, dwcrosspost
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/32T4ZIy on July 26, 2019 at 05:28PM

Women in Fandom:

Copying and pasting

“Greetings, fellow fannish Elder,

I’d like to invite you to participate in an anthology of collected essays and interviews exploring the co-creative aspects of women in fandom, in their own voices, during the latter half of the twentieth century.

This anthology, Geek Elders Speak: In Our Own Voices (with the subtitle, Women Co-creators and Their Undeniable Place in Fannish History), will be published by Forest Path Books, LLC., an independent press.

My name is Jenni Hennig. I’m a published author (most recently The Books of the Wode, a historical fantasy series), and I administer Forest Path Books. Some of you might remember me from Star Trek, Star Wars, Man From UNCLE, and Robin of Sherwood fandoms, where I wrote fanfic, was an artist, filker, award-winning costumer, and publisher of zines such as Far Realms and Against the Wind.

I have a vital and personal interest in this anthology. I remember our history: Fanzines cranked on mimeo, or typed with carbons and passed out by hand at cons. Art and “illos” hand-drawn and hand-screened. Costumes hand-sewn, constructed with fabric, wire, and bondo, with odds and ends like shaving cream can tops or shiny Leggs® packaging. Filks taped at cons on handheld recorders. Music videos made in the oh-so-lengthy process allowed with Beta and VHS. All of us laid claim to our creative power, over the years and in our own terms.

I was there, too.

We have so many stories to tell. And that’s why I’m reaching to you.

You’re probably wondering how the anthology’s title came about. I’m all over giving credit where it’s due, so kindly let me give you a wee bit of background for this project. The idea was sparked at a Seattle convention called Geek Girl Con, where in 2014 a panel called “Geek Elders Speak” proved one of the most popular events at the con.

(See this article: https://geekgirlcon.com/?s=geek+elders&post_type=post )

Four women who had been active with media fanzines in the 1970s and 1980s were speakers; I was an incognito ‘Elder’ in the audience, listening to comments made by both women and men. The younger fans were visibly astounded by the stories they heard—especially the geek girls who’d never heard about the crucial role of women in creating and defining media fandom. Hungry for a history they’d never imagined to exist, they embraced the panel with pure joy. And the older women in the audience? Well, one was in tears, believing her local Starbase fan group would be—and was—forgotten.

The Elder panellists could have answered questions for the rest of the day!

Fast forward a couple of years, and my own repeated attendance of conventions where a great majority of younger fans haven’t the slightest clue about the history of their own fandoms, much less the women’s shoulders upon which they stand.

It’s time, ladies, that we told our story. Not as some at-arms-length and rarefied curiosity of academia, not as seen through the often-clouded lens of those who weren’t there, but IN OUR OWN VOICES. We need to be heard: all our work, all our experiences. We need to be more than yet another lost or wiped-clean anecdote of women’s history.

And, with the recent announcement that a fanfiction archive has been nominated for a Hugo Award, it’s timely.

Many of us have already been silenced by time and illness. Many of us are grappling with the hard realities of twilight. Our voices are dwindling. We aren’t getting any younger, my friends, and that makes it all the more imperative: we need to record these things now.

To this end, Geek Elders Speak: In Our Own Voices is on the Forest Path Books publishing schedule, with a prospective release in the last quarter of 2020. Contributors will receive standard pro anthology pay rates and contracts. We are planning worldwide distribution in paper, e-book, and audio, with suitable advertising and promotion. As the first contributors come on board, we will be registering and promoting a Kickstarter to help with publication costs.

But we can’t do any of this without YOU. Your singular voice, your personal story, your experiences both good and bad… in short, your creative participation in a phenomenon that meant and continues to mean so much to all of us. These are truly the most vital aspects to make this anthology the success I know it can be.

Please consider contributing, either with an essay or via interview. Check out te attached suggestions. Feel free to share this letter with your fellow female Elders. Pitch us your own, unique story. We would love to hear your voice!

All the best,

Jeanine ‘Jenni’ Hennig
(J Tullos Hennig)
Forest Path Books
Jeanine Tullos Hennig
P.O. Box 847 ~ Stanwood, WA 98292
jth@forestpathbooks.com

Tags:fandom history, women in fandom, dwcrosspost
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2YCLC41 on July 07, 2019 at 10:14PM

When VCRs were first sold, companies like Disney and Universal Studies sued Sony (who manufactured the Betamax VCR) claiming that recording TV shows and movies that had been broadcast over the air was copyright infringement. And because they made the VCRs, Sony was liable for contributing to the infringement. The media corporations also sued individual owners of the VCRs. (this is the over simplified version, read more here)

Shortly before the lawsuit, Jim Lowe, a staff director for the Florida state  legislature started publishing a newsletter for fans of the new tech where they could talk about VCRs (or Betamax VTRs as they were called - Video Tape Recorder) and offer to buy and sell tapes.  He too was pulled into the lawsuit and deposed and they demanded  the names and addresses of his subscribers.

Ultimately the US Supreme Court ruled in favor of the new technology finding it fair use.  But for a few years well into the 1980s,  some fan conventions were hesitant to offer formal “Video Rooms” to show hard to access TV shows and movies. 

Corporations are like bullies, focusing on stuffing themselves full of profits, while trampling  over anyone who stands in their way.

You can read the first few issues of the Videophile’s Newsletter online here.

Tags:copyright, fair use, VCRs, fandom history adjacent, corporate greed, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2Y9sYQO on June 23, 2019 at 09:25AM

“Editing Fanlore is often a very fun (and funny) experience –- fans have wicked senses of humor, and you’ll stumble across some real gems on the wiki……..I’d been casually using Fanlore as a resource for years, and I would often come across pages that I knew were missing something cool or important about our histories and our creative practices. But for some reason, I never felt equipped to contribute. I’ve talked to a lot of other fans who have also felt daunted about editing Fanlore; I think that we often discount the value of our own knowledge as fans, and it can also be overwhelming to start editing a wiki without any prior experience. Once I started editing, though, I found that I really loved it — and it wasn’t as hard as I thought it might be!”

- Five Things Kate Flanagan Said (OTW Volunteer Q&A, 2019) Tags:quotes, fanlore, fandom history, owning the gorram servers, owning our history, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2WAHIH1 on June 12, 2019 at 07:40AM

To boldly go...

Kirk/Spock in the Economist



Tags:fandom history, slash, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2ZnShiv on June 11, 2019 at 12:00PM



redscullyrevival:

“Bad Guy” by Billie Eilish
Star Trek
vid by redscullyrevival

Vid Notes HERE. 

Vid Notes:  

“Star Trek the Original Series is episodic television. An audience can easily understand and go along with the tiniest of reasoning on why we shouldn’t expect lady so and so from this week to be around next week but in order to explain away love interests (often times along with near death experiences), female characters had to be given some justification on why Kirk, Spock, and Bones will have moved on by next week. This is the context we find within episodes: So as to have a revolving door of women for the three male leads to play off of and interact with, often times female characters had to be made “bad”, alien, or (nearly) dead by episode’s end within a rotating variation of one, two, or all three.”

https://redscullyrevival.tumblr.com/post/184922327605/enterpriseing-women-notes

Tags:vidding, fanvid, fan vid, fandom meta, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2XxPwdZ on June 08, 2019 at 12:45PM

1994: Star Trek, Star Wars, MUDs and Sex. When geeks and nerds roamed free on the Internets.

You can check out the PDF from the Internet Archive here: https://archive.org/details/internetyellowpa00hahn

The internet yellow pages by Hahn, Harley, 1952-; Stout, Rick

Tags:fandom history, internet archive, star trek, star wars, dwcrosspost

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morgandawn: (Art Noveau Blue)
Episode 113: Women in Trek Fandom: Jacqueline Lichtenberg

We’re joined by Jacqueline Lichtenberg – creator of the Kraith fanfic series, author of Star Trek Lives!, and founder of the Star Trek Welcommittee – to discuss everything from her professional writing career to her thoughts on the future of Trek fan culture.


Tags:fandom history, star trek, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2WIgphO on June 02, 2019 at 09:07AM

The Women Who Coined the Term ‘Mary Sue’

Fandom history in the Smithsonian magazine

Tags:fandom history, fanzines, mary sue, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2JHaKCQ on May 27, 2019 at 12:15PM

Cool panel this year at Wiscon 2019.

Panel notes can be found under # FanWorkPerception hashtag 

Tags:fandom history, Fanwork Perception, fandom meta, otw, wiscon, fanfiction, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2LSFouC on May 14, 2019 at 04:00PM

Star Trek fashion review.

The Philadelphia Inquirer Tue Aug 2, 1966

Tags:star trek, fandom history, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2Voa5Yh on May 14, 2019 at 10:00AM

By 1971, Star Trek was seen either as a wacko cult or an inspiration.

Corvallis Gazette Times Fri May 21, 1971

Tags:star trek, fandom history, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2Hk5rGZ on May 14, 2019 at 08:00AM

Same newspaper article, two different headlines.

The first “Star Trek Cult Scares Producer” comes from the conservative Santa Ana Register, Tue Mar 23, 1976

The second version was published in the The San Francisco Examiner, also on Tue Mar 23 1976 and included a photo of Roddenbery below the headline “Occasionally even he tires of Star Trek”

Tags:fandom history, star trek, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/30aNqSQ on May 12, 2019 at 10:00AM

Star Trek in 1966 was just another BEM (bug eyed monster) TV show.

The Greenwood Commonwealth Tue Sep 13, 1966

Tags:star trek, fandom history, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2vQpq9P on May 11, 2019 at 10:00AM

That first Star Trek episode was not impressive. Spock was the exception..

Albuquerque Journal Sun Sep 11, 1966

Tags:star trek, fandom history, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2E4yegO on May 10, 2019 at 10:00AM

Tarzan and Star Trek both premiered in the fall of 1966.

Mt Vernon Register New Fri Sep 9 1966

Tags:star trek, fandom history, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2Vec29E on May 09, 2019 at 10:00AM

Star Trek premiered in the fall of 1966.

The Odessa American Sat Sep 10 1966

Tags:star trek, fandom history, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2J7Oh1z on May 08, 2019 at 11:18AM


“Frankly, your humble reporter can take “Star Trek "or leave it; it has about as high a corn  content as most of the action series. ” Pure" science fiction isn’t.

“Save Star Trek” echoes in my head like a battle cry. It stirs my blood and jiggles my glands it gives me hope, hope that people are still stronger than computers, hope that the democratic process is still not entirely in the hands of Univac.

Yes, let’s save “Star Trek.” Let us bombard NBC with letters, telegrams, phone calls. Let us swamp the network in paper, glut the hallways under unopened envelopes. Let us make a fearsome racket, not because Star Trek is important, because our individual human dignity is important. Surely we are all fed up with the mystical omniscience of the poll and the rating book, tired of smug tyranny of Madison-Avenue nose-counters.

I think we are all tired of anonymity, tired of the feeling that we are powerless to influence invent events as individuals. We may not be able to change the course of events in Vietnam, but perhaps we still have the power to make a giant corporation squirm. If so, we are still men. “

Bob MacKenzie, Oakland Tribune, Mon Jan 22, 1968 

Tags:the year is 1966, star trek, is about to be cancelled, protests, against, the vietnam war is growing, fandom history, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2Jrw12p on May 08, 2019 at 05:41PM

The Evening Sun Fri May 6, 1966 announcing a new TV show called “Star Trek”

Tags:fandom history, star trek, dwcrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2Z0xvpC on April 10, 2019 at 03:27PM

Tags:vidding, fanvids, fan vid, viddercon, dropmark, DWCrosspost



For the past few month I’ve been providing  user feedback on Viddercon,  a fan created cross-platform video playlist site that allows fans to build streaming vid shows. (You can see an example here using the Escapade 2019 Vid Show). 

To date, all the commercial streaming video platforms (Vimeo, YouTube etc) lock you into their platform. If you want to make a vid rec list, you can only select videos from their platform. But fanvids are now everywhere: Instagram, Dailymotion, BiliBili…. and of course a few vidders are now starting to stream their own vids using cloud based Content Delivery Network  (CDNs) servers or via the Fediverse.

Viddercon (short for Vidder Conventions), is the platform developed by Garfield and it is designed to assist those wanting to host curated vid shows. For casual fanvid recs, however, there is a commercial tool available. Dropmark is a free service that will allow you to create a streaming rec list across platforms;

You can link to vids from many platforms, including your own website and also add password protected vids. And you can even upload a limited number of fanvids to their servers.


How to add a vid to your Dropmark playlist (image below)  ↓



Not only can you link to a vid, Dropmark will give you 500MB for free so you can upload your own vid.  ↓


When you pull in a public vid, it will create a thumbnail, a link to the source of the video and Author (Vidder).  It will also give you a section where you can add a more details about the vid.  ↓


You can add videos from a wide rage of sources. Below is a  Stargate SG1 fanvid hosted on the Internet Archive.  ↓


Below is a Sentinel vid from Bilibili  ↓


 

Embedding Password Protected Videos

You will need to list the password info for password protected vids. The first example below is a Vimeo fanvid that lists no password info. The next 2 examples have the password listed in the file name.   ↓


Unless the viewer clicks on the info button to the  far right, all they will see is a blank screen asking for the password. This is why you add the password to the vid title.   ↓




If the viewer does click on the info button to the far right, they will see the password in a second location. This is also where you will add vidder credits. Dropmark cannot automatically pull the author/creator info from a locked vid.  Finally, if the vid is on AO3, consider leaving a link to the AO3 page for  vidder feedback.   ↓


Example below of a self-hosted vid that is streamed via a  Content Delivery Network (CDNs).   ↓


 

You can also embed a vid streaming from the Fediverse. Below is a video uploaded to a PeerTube instance.  To embed the vid, you must find the direct link to the video by going to the PeerTube vid page (Ex: https://queertube.org/videos/watch/719d589b-b235-4157-a09d-990eccc40507 ) and using “View Source” on your browser,  to find  the URL of the vid (Ex: https://queertube.org/videos/embed/719d589b-b235-4157-a09d-990eccc4050 )


Dropmark URLs have 3 privacy settings: Invite only, Unlisted, Public   ↓


Dropmark also allows you to download your URLs and video files (if you’ve uploaded them).


And they have a bookmarklets/browser plugins, RSS feeds, and the ability to upload via email etc.

Here is my test Playlist: https://morgandawn.dropmark.com/648968


morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2SVXj1Z on March 10, 2019 at 05:00PM

One of the things I like about second season Star Trek Discovery is how it is (subtly??) confronting one of my complaints about all the Star Trek reboots (film and TV). The shift from the original series “space and species connections and peaceful federation” to “conflict, confrontation and war is good”.

Read more... )
morgandawn: (Supernatural Dean Pain)
Posted in full at: https://ift.tt/2CngJHN on March 09, 2019 at 04:00PM

“What links all four themes I found within the vids together is a desire to transform or change the surface narratives being presented within SPN. For shared suffering, the vids changed the canon narrative of familial love being strength and putting your family first as an ultimate goal into something often far more dark and twisted. Instead of providing strength to Sam and Dean as in canon, vids with the shared suffering theme consistently point out the ways in which this loyalty and familial piety actually works to destroy the Winchester family. With the beauty of men’s pain, vidders actually deconstruct the canon narrative in two ways.

First, by focusing on the artistic images of men in pain, they are ignoring the far more prevalent images of women in pain. The vids also highlight a contrast of the sexualization of pain between the two genders in canon; women’s deaths are more likely to be shown on camera, more likely to be brutal, and more likely to be sexualized through location (e.g., bedrooms) or apparel (e.g., nightclothes, undergarments). Men’s deaths are rarely shown on screen and even of the male leads and the three other reoccurring male characters (i.e., John Winchester, Bobby Singer, Castiel), the audience is rarely going to see any of them hurt or injured. So the vidding emphasis on men’s pain, compared to the canon’s emphasis or glorification of women’s pain provides a unique contrast. 

It also becomes the second way in which vidding contradicts canon by highlighting the ways in which canon’s heteronormative masculinity is broken. While the scenes vidders use are from canon and the argument could be made that canon itself is deviating from its presentations of masculinity, the difference between the presentation on screen and the self-concept held by the characters is never clearer than in these vids. Within the context of canon, the injuries
suffered by the men are often downplayed or treated as “war wounds.” The display of pain and hurt becomes both heroic and masculine within canon. In the beauty of men’s pain, the heroism is removed from the narrative to be replaced with weakness.”

Source: “Veni, vidi, vids: Transforming cultural narratives through the art of audiovisual storytellingBrownfield, Kristi.Southern Illinois University at Carbondale, ProQuest Dissertations Publishing, 2015. 3733178. “

Tags:queued, vidding meta, fandom meta, supernatural, man pain, spn, fanvid, fan vid, acafandom, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2ExExJ4 on March 05, 2019 at 07:00AM

Thread by @coolcurrybooks: "I've talked before about how diverse adult SFF gets so much less attention than diverse YA SFF. So here's a thread of diverse (AKA SFF by an […]" Tags:books, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2H6Oro0 on February 28, 2019 at 05:45PM

1.  Lim has posted basic tutorials on YouTube (color, aspect ratio, and keyboard shortcuts etc). They are  Adobe Premiere focused,  but transferable https://www.youtube.com/user/blimvisible/playlists?shelf_id=9&view=50&sort=dd

2. Additional viddertips on Tumblr https://viddertips.tumblr.com/links-new   These tips can sometime be off the mark,  but it is a great resource for new vidders.

3. Other suggestions: join an open MEP (multi editor project) on YouTube to get weekly input and motivation for 20 seconds of vid exercises 

MEPs are sometimes a collaboration group (aka ‘studio’) but anyone can open a MEP, choose a song, and split it up into parts. People claim the sections (usually 10 or 20 seconds), then a week later the organizer joins them together to create a MEP .  MEPs are fun and you can meet people that way. Some MEPS are once a week or a month and some have themes

To find a MEP: https://www.youtube.com/results?search_query=open+collab

Tags:vidding, fanvid, fan vid, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2NAz2O5 on February 25, 2019 at 04:43PM

Is it possible to make fanvids without a desktop/laptop? Example: if you have an IPad? Or possibly online?

Tags:vidding, fanvid, fan vid, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2Sm4t3k on February 03, 2019 at 09:14AM

I Read the Gayest Star Trek Novel:

We have loads more into on Fanlore:   https://fanlore.org/wiki/Killing_Time_(Star_Trek_tie-in_novel)

“There’s conflicting accounts of the official reaction of Pocket Books; some say they tried to recall all the copies of the first edition, some say they simply destroyed what had yet to ship. What is true is that later additions include over fifty significant changes to the novel. The more gay parts are removed, all physical affection between Kirk and Spock, even platonic, is removed. But the first edition can still be found, and a book that first retailed for $3.50 is being sold for $50 to $80 on eBay.

It’s a fascinating little slice of a history that underpins fandom as we know it today. Many fans around today could tell you the history of slash stories in the early 2000s, how some archives wouldn’t allow LGBT stories at all, how some would rate them NC-17–and how every fanfiction writer was terrified of lawyers coming after them for dabbling in copyrighted worlds. But before the internet, before fandom became a dominant market force, the interaction between fandom and the establishment was much more fluid. And while LGBT content was ultimately taboo, it was also popular with those who wanted to carry the torch, and the Star Trek fandom was in many ways a more tolerant place than the rest of the world; after all, homosexuality was medically classified as a mental disorder right up until 1987, a full two years after this book came out.

While no one intended for this incredibly gay Star Trek book to make it to stores, the fact remained that it did, and it exists as evidence of this complex time in fandom history, with benefits we’ve lost over time and restrictions we couldn’t imagine in this relatively taboo-free era of fanfiction. If you can manage to find a copy of the first edition, it’s worth a read.”

Tags:fandom history, star trek, fanzines, kirk/spock, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2HWCTG3 on January 31, 2019 at 11:07PM

“When I say “Fanfiction is free” part of what I’m saying is yes, you did not pay for the thing.

But I saw a comment from someone that made me realize the rest of the intention behind these words is being lost.

Fanfiction is provided for free, but it is not produced for free.”


- Keedreva (Dec 2018) Tags:quotes, fandom meta, DWCrosspost, fanfiction

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2UgHbsX on January 26, 2019 at 10:00AM

Star Trek in the news: The Indianapolis Star Sun Sep 6, 1970

Tags:fandom history, star trek, what more do I want?, I want it all, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2CNdZCV on January 25, 2019 at 10:00AM

Star Trek in the news: The Tennessean Sun Jun 14, 1970

Tags:star trek, lost in space, fandom history, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2FLQSfE on January 24, 2019 at 10:00AM

Dayton Daily News Fri Dec 11 1970

Tags:star trek, fandom history, where is Star Trek when we need it now, anything to shut up Drumpf for a few hours, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://bit.ly/2R5KCk2 on January 21, 2019 at 10:26PM

Source: Dayton Daily News Sun June 14,1970

Tags:star trek, popular culture, fandom history, keeping all those science fiction fans off the streets, those Star Trek fans acting their fantasies outside the home, are just trouble, Trouble with a capital T, right here, in Dayton City, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2rm7e5w on December 05, 2018 at 05:17PM

telesilla:

The first thing you have to understand is that no one wants us. No one has ever wanted us. And by us I don’t mean fans in general, but creative Fandom, if you will. Transformative fandom–writers and artists and gif makers and vidders and podcasters and podficcers and the community that supports them.

Don’t be fooled by the occasional mainstream media article that uses mostly respectful language or the academic study that talks about transgressive fannish behavior like it’s admirable.  People reading those news articles laugh at us and you don’t exactly see universities creating Fandom Studies departments. 

Nor do we have the buying power we like to think we do. Think about it. We wouldn’t have to transform media to suit ourselves if that media already existed. If Marvel gave a damn about Fandom money vs fandom money, they’d be the ones posting the explicit Cap/Iron Man pics. They’ll take our money, but it’s not as important as small-f fandom money because there’s nowhere near as much of it. 

So that leaves ue as exactly what we are: extreme niche hobbyists. And you know what? We’re not even nice, easy, safe, niche hobbyists like knitters or…idk, curling fans. We like trangressive sex a whole lot, we tread a very fine legal line in a time when intellectual property laws are a big fucking deal, we’re hard to advertise to, and, to make things worse, we have a nasty habit of dragging our platform admins into our petty, internecine Fandom Drama.

(seriously it’s like if the dude who runs the Giants SB Nation site went running to the SB Nation admins saying that the dude who runs the Dodgers site is a pedophile just because he implied Madison Bumgarner might be a little racist.)

But Telesilla, you say. Are we really bound to your fate? Destined to spend our fannish lives like you have, migrating from one site after another, always losing people and history along the way? This is so depressing! There has to be an answer!

Well, once upon a time I thought the answer was “by fans for fans” and wow, have I been burned by that one. Our greatest triumph is routinely attacked by its own users and our best functioning social media platform doesn’t have the bells and whistles corporate sites can offer. And AO3 and Dreamwidth are the success stories. Ask me about JournalFen. (on second thought, don’t. I don’t have the energy to explain without overusing the word “robust” and talking about ice weasels.)

I’m enough of a Old Time Internet Person to still think doing it ourselves is the best answer we have, but it takes a special kind of person to dedicate themselves to  serving a notoriously fractious internet community that has no money and wants you to cater to their every whim. It takes an even more special kind of person to do it long term. Fandom history shows us that those people don’t come along often. (personal history shows me that I am, alas, not one of them.)

Until they do, we’ll just lurch from corporate platform that doesn’t really want us to corporate platform that doesn’t really want us. Because that’s the bottom line–we’re an extreme niche hobby and there’s no real money to be made off us. Under late capitalism…well, I don’t want to be that Fandom Old, but really, what did we expect?

Tags:DWCrosspost, borrowed tags-reblog does not mean endorsement, fandom history, telesilla

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2zMWFgm on December 05, 2018 at 12:56PM

fozmeadows:

So, listen.

While we’re all having a good laugh and/or panic at tumblr’s incompetent censorship implosion, I just want to take this opportunity to draw a parallel to a lot of the recent fandom wank about what content should or shouldn’t be allowed on AO3. Specifically: there’s a lot of people who want the Archive to ban particular types of fic, but who have no real understanding of how you would actually implement that in practice.

While there are legitimate arguments to be made about the unwisdom of tumblr’s soon-to-be-forbidden content choices - the whole “female-presenting nipples” thing and the apparent decision to prioritise banning tits over banning Nazis, for instance - the functional problem isn’t that they’ve decided to monitor specific types of content, but that they’ve got no sensible way of enacting their own policies. Quite clearly, you can’t entrust the process to bots: just today, I’ve seen flagged content that runs the gamut from Star Trek: TOS screenshots to paleo fish art to quilts to the entire chronic pain tag to a text post about a gay family member with AIDS - and at the same time, I’ve still been seeing porn gifs on my dash. 

It’s absolute chaos, which is what happens when you try to outsource to programs the type of work that can only reliably be done by people - and even then, there’s still going to be bad or dubious or unpopular decisions made, because invariably, some things will need to be judged on a case by case basis, and people don’t always agree on where the needle should fall. 

Now: consider that this is happening because tumblr is banning particular types of images. Images, at least, you can kiiiiinda moderate by bots, provided you’re using the bot-process as a filter to cut down on the amount of work done by actual humans, and also provided you’re willing to take a huge credibility hit given the poor initial accuracy of said bots, but: images. Bots can be sorta trained to recognise and sort those, right?

But the kind of AI sophistication you’d need to moderate all the content on a text-based site like AO3? That… yeah. That literally doesn’t exist, and going by tags and keywords wouldn’t help you either, because there’d be no handy way to distinguish what type of usage was present just on that basis alone. Posts about content generated by neural nets are hilarious precisely because our AI isn’t there yet, and based on what we’ve seen so far, we won’t be there for a good long while.  

It’s a point I’ve made again and again, but I’m going to reiterate it here: it’s always easy to conjure up the most obvious, extreme and clear-cut examples of undesirable content when you’re discussing bans in theory, but in practice, you need to have a feasible means of enacting those rules with some degree of accuracy, speed and accountability that’s attainable within both budget and context, or else the whole thing becomes pointless. 

On massive sites like AO3 and tumblr, the considerable expense of monitoring so much user-generated content with paid employees is, to a degree, obviated by the concept of tagging and blocking, the idea being that users can curate and control their own experience to avoid unpleasant material. There still needs to be oversight, of course - at absolute minimum, a code of conduct and a means of reporting those who violate it to a human authority in a position to enforce said code - but the thing is, given how much raw content accrues on social media and at what speed, you really need these policies to be in place, and actively enforced, from the get-go: otherwise, when you finally do start trying to moderate, you’ll have to wade through the entire site’s backlog while also trying to keep abreast of new content.

Facebook, which is a multi-billion dollar corporation, can afford to have paid human moderators in place for assessing content violations instead of relying on bots; however, it is also notoriously terrible at both following its own standards and setting them in the first place. To take an example salient to the tumblr mess, Facebook has an ongoing problem with how it handles breastfeeding posts, while its community standards regarding what counts as hate speech are, uhhh… Not Great. Twitter has similarly struggled with bot accounts proliferating during multiple recent elections and with the seemingly simple task of deplatforming Nazis - not because they can’t, but because they don’t want to take a quote-on-quote political stance, even for the sake of cleaning house. 

It’s also because, quite frankly, neither Facebook nor Twitter were originally thought of as entities that would one day be ubiquitous and powerful enough to be used to sway elections; and when that capability was first realised by those with enough money and power to take advantage of it, there were no internal safeguards to stop it happening, and not nearly enough external comprehension of or appreciation for the risks among those in positions of authority to impose some in time to make a difference. Because even though time spent scrolling through social media passes like reverse dog years - which is to say, two hours can frequently feel like ten minutes - its impact is such that we fall into the trap of thinking that it’s been around forever, instead of being a really recent phenomenon. Facebook launched in 2004, YouTube in 2005, Twitter in 2006, tumblr in 2007, AO3 in 2009, Instagram in 2010, Snapchat in 2011, tinder in 2012, Discord in 2015. Even Livejournal, that precursor blog-and-fandom space, only began in 1999, with the purge of strikethrough happening in 2007. Long-term, we’re still running a global beta on How To Do Social Media Without Fucking Up, because this whole internet thing is still producing new iterations of old problems that we’ve never had to deal with in this medium before - or if so, then not on this scale, within whatever specific parameters apply to each site, in conjunction with whatever else is happening that’s relevant, with whatever tools or budget we have to hand. It is messy, and I really don’t see that changing anytime soon.   

All of which is a way of saying that, while it’s far from impossible to moderate content on social media, you need to have actual humans doing it, a clear reporting process set up, a coherent set of rules, a willingness to enforce those rules consistently - or at least to explain the logic behind any changes or exceptions and then stand by them, too - and the humility to admit that, whatever you planned for your site to be at the outset, success will mean that it invariably grows beyond that mandate in potentially strange and unpredictable ways, which will in turn require active thought and anticipation on your part to successfully deal with.

Which is why, compared to what’s happening on other sites, the objections being raised about AO3 are so goddamn frustrating - because, right from the outset, it has had a clear set of rules: it’s just not one that various naysayers like. Content-wise, the whole idea of the tagging system, as stated in the user agreement, is that you enter at your own risk: you are meant to navigate your own experience using the tools the site has provided - tools it has constantly worked to upgrade as the site traffic has boomed exponentially - and there’s a reporting process in place for people who transgress otherwise. AO3 isn’t perfect - of course it isn’t - but it is coherent, which is exactly what tumblr, in enacting this weird nipple-purge, has failed to be. 

Plus and also: the content on AO3 is fictional. As passionate as I am about the impact of stories on reality and vice versa, this is nonetheless a salient distinction to point out when discussing how to manage AO3 versus something like Twitter or tumblr. Different types of content require different types of moderation: the more variety in media formats and subject matter and the higher the level of complex, real-time, user-user interaction, the harder it is to manage - and, quite arguably, the more managing it requires in the first place. Whereas tumblr has reblogs, open inboxes and instant messaging, interactions on AO3 are limited to comments and that’s it: users can lock, moderate or throw their own comment threads open as they choose, and that, in turn, cuts down on how much active moderation is necessary.   

tl;dr: moderating social media sites is actually a lot harder and more complicated than most people realise, and those lobbying for tighter content control in places like AO3 should look at how broad generalisations about what constitutes a Bad Post are backfiring now before claiming the whole thing is an easy fix.

Tags:DWCrosspost, borrowed tags-reblog does not mean endorsement, hello yes, fandom, censorship, moderation, ao3, also like before anyone talks about text v image monitoring, remember that a lot of this is not just about subjects, but about how subjects are depicted, the difference between writing about assault, and writing an assault fantasy, and that...is not even something you could trust a team of thoughtful humans to do at scale, regardless of whether you should, fozmeadows

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2zN1FSh on December 05, 2018 at 11:54AM

When everything’s separate, the individual sites are archives. They’re like destination stores, not places that attract walk-in foot traffic.

Fandom has always involved socializing and interacting, but it hasn’t always been in the same place as the archive. Right now, on Tumblr, art and chitchat are mixed together. On LJ/DW fic and chitchat were mixed together. The other stuff, whether it’s vids or anything else, gets awkwardly embedded or linked to, and you go look at it directly if you’re interested. (I get way, way more views of my vids from AO3 than from Tumblr, for example. You can put a video here, but people aren’t in ‘pause to watch’ mode when they’re browsing Tumblr.)

More people had more basic tech skills, even if that’s only a super low level knowledge of html. Big social media sites are aimed at the complete tech dunce. It can be awkward, confusing, or tiring to go back. OTOH, personal sites had even more customization than the most out-there Tumblr layout.

Basically, you’ll be hanging out on Twitter or Discord or wherever and posting “Hey, I put something new up!” with a link to your art site. It’s what people do on Tumblr now for fic. Back in the day, it would have been a mailing list instead of Twitter. Human interactions are always part of it.

Tags:DWCrosspost, borrowed tags-reblog does not mean endorsement, fandom history, Anonymous, olderthannetfic

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2PjhXXT on December 05, 2018 at 11:54AM

Fandom platform of the future - specs and features:

pearwaldorf:

So I made a tweet about how Maciej Ceglowski (aka Pinboard guy) should consult with fandom on how to build a new fandom platform inclusive of not just text, but images and multimedia. 

And then Maciej DMed me and said if fandom (I realize this does not include all parts of fandom) can get a consensus spec of what this platform should consist of, he’ll see what we can do. I have split the document into requirements and nice to haves. I know I’m not going to get everything, but hopefully this is a good enough start to get the ball rolling.

Tags:DWCrosspost, borrowed tags-reblog does not mean endorsement, pearwaldorf

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2zKvsuL on December 05, 2018 at 11:35AM

17decemberarchive:

We got over 10 submissions for blogs the archive team should archive so far.

The archive team (https://archiveteam.org/) will put all these blogs in the front of our queue when try to archive what we can.

Tags:DWCrosspost, borrowed tags-reblog does not mean endorsement, tumbledown, 17 december, archive team, archives, censura, new rules, just a few orders of magnitude, 17decemberarchive

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2G1LOoF on December 04, 2018 at 03:28PM

And we’ll all go down together…..
Tags:borrowed tags-reblog does not mean endorsement, not a reblog, no nipples?, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2yMEfvO on November 04, 2018 at 12:48PM

The Formation and Destruction of the New Republic https://ift.tt/2ALPzcY

Tags:IFTTT, Fauxthentic History, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2OkknFi on November 02, 2018 at 04:18PM



In the earliest days of fandom, we owned the servers. Of course, the “servers” then were just smiles and words, pen and paper, staples and stamps. We were intimate and secretive—and also small. Fan works passed hand to hand, and there were no unintended audiences, no critical outside eyes. We controlled channels of distribution; we controlled which ears heard our stories. We wrote for an “insider audience” (Bacon-Smith 1992) with an entirely different value and culture than the traditional writing market; it was our own thing.

It is hard to say when the first fan work may have appeared on a server outside our control. The early days of the internet brought us Usenet and email-based mailing lists as popular modes of communication and dissemination. The internet altered the very substance of fandom; fan artifacts were no longer physical, and geographical boundaries no longer existed (Busse and Hellekson 2006). Without these barriers, participation in fan creation communities grew by leaps and bounds. It also meant that posting a story online required relinquishing some control; you weren’t giving it to a person at a fan convention, you were giving it to the world at large, to anyone who could connect to a Usenet server. And suddenly, for the first time, the platform mattered.

The problem with platforms is that they have their own agenda. When deciding on policies, for example, a platform (or, rather, its stakeholders) has its own concerns—about leeway, liability, profit, and public perception (Gillespie 2010)—and these concerns are probably not the same as those of its users.



- Owning the servers: A design fiction exploring the transformation of fandom into “our own” by Casey Fiesler Tags:not a reblog, quotes, fandom meta, fandom history, the reason ao3 exists, and it is why vidding fandom needs to follow, and do the same for fanvids, vidding, fanvids, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2J21N3X on October 14, 2018 at 08:22PM

Pokemon and the Kanto Region https://ift.tt/2Aahwe6

Tags:IFTTT, Fauxthentic History, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2IBKOFm on October 02, 2018 at 10:39AM

otw-fanlore:

The Foresmutters Project was an “anarchic” effort to preserve some of the very earliest slash fanworks in digital form. It sparked heated debate among fans over whether it was right or necessary to preserve stories - as well as the merits of print versus digital, the value of feedback, and much more.

Revisit the debates about the earliest days of recorded slash fandom in this week’s Fanlore Featured Article.

From Sandy Hereld on Virgule-L, August 1999, just before the site went up:

“It’s an archive site, dedicated to bringing old forgotten zine stories  into  the light.  I haven’t made it all the way through it yet (to know if…for  example…they have permission or anything), but the first story I found  was  the *classic*, “End of the Hurt-Comfort Syndrome”, so as far as I’m  concerned, these babes can do no wrong.  (ok, I’ve looked a little further, and it seems like it’s pretty new – sounds like they’d love some volunteers to type in old stories as well…)  So, how long before everything in fandom is available on the web – 5  years,  10, never?

Tags:some of these may be borrowed tags, fandom history, kirk/spock, slash fandom, foresmutters project, DWCrosspost, otw-fanlore

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2xUbWeC on October 02, 2018 at 10:35AM

otw-fanlore:

The Foresmutters Project was an “anarchic” effort to preserve some of the very earliest slash fanworks in digital form. It sparked heated debate among fans over whether it was right or necessary to preserve stories - as well as the merits of print versus digital, the value of feedback, and much more.

Revisit the debates about the earliest days of recorded slash fandom in this week’s Fanlore Featured Article.

Tags:fandom history, kirk/spock, slash fandom, foresmutters project, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2OmdrLY on September 30, 2018 at 04:21PM

The Life of Paige Tico https://ift.tt/2Nd8kZT

Tags:IFTTT, Fauxthentic History, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2NYjG8q on September 19, 2018 at 07:02PM

Her vids are now offline

Am looking for her Ashes To Ashes vid “That Thing You Do:

https://arefadedaway.livejournal.com/244609.html

Tags:fan vid, fanvid, ashes to ashes, arefadedaway, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2MvRiG6 on September 14, 2018 at 10:00AM

https://www.youtube.com/playlist?list=PLAagofQWV6pc5p5dITQvmWHEqASQe4v7C

You can see all the vids from Spring Equinox 2018: Folklore Fairytales Legends and Mythology here https://archiveofourown.org/collections/springequinox2018 Tags:vidding, fanvid, fan vids, equinox, equinox spring 2018, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2xepX5I on September 13, 2018 at 07:00PM

https://www.youtube.com/playlist?list=PLAagofQWV6peRApfz7P-oezfuh9z7gQ4y

You can see all the vids from Fall Equinox 2017: Based on Books https://archiveofourown.org/collections/fallequinox2017 Tags:vidding, fanvids, fan vid, equinox, equinox fall 2017, queued, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2p5Os14 on September 13, 2018 at 08:20AM

https://www.youtube.com/playlist?list=PLAagofQWV6pfSwqvCOWRZJ2EUI4f0Br0D

For a complete list of all the vids go to Equinox 2017: Vids In Space https://archiveofourown.org/collections/springequinox2017 Tags:not a reblog, vidding, equinox, equinox spring 2017, fanvid, DWCrosspost

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