morgandawn: (Default)
 Possible future fandom platform Hubzilla explained,

"

Hubzilla’s core is built on a concept called Nomadic Identity, and it’s something that greatly differentiates Hubzilla from other federated platforms.

The idea is relatively simple: your channel does not have to be tied to a specific domain or a particular hub. Instead, it is entirely possible to migrate your posts, files, and contacts to another server, and you can connect multiple channels together to act as a relay system for every post you make.

morgandawn: (Default)
This is my approximation of a 2016 political post about Trump's sexual harassment and denigrating of women. It took me 2 days to get this reposted to Tumblr. I explain the problem with Tumblr's automated flagging system and how they fail to follow their own policies here..

In case these images disappear from Tumblr, you can see my reblogged post archived here











X






 

This political post from 2016 was censored by Tumblr in December 2018. I have contacted the OP

OP: http://longingforus.tumblr.com/post/154212582785


longingforus

#SignedByTrump

Only a few of the quotes that the President Elect, Donald Trump, has said about women.

After many many hours, my photography final is FINALLY finished. It has been deleted off Facebook and Instagram, so I’m hoping it can stay up on Tumblr.

Edit: If you would like to credit me or get ahold of me the best way is my facebook Aria Watson, or Instagram @a.riawatson

morgandawn: (Default)
 This was my favorite. More under the Banned tag.





Cann








A 2017 post that is banned on Tumblr. The OP has deactivated their account.

My reblog:  https://meeedeee.tumblr.com/post/163006728256/hey-this-post-may-contain-adult-content-so-weve


captainallegra Deactivated

I don’t know if there’s a photoset of all of these images anywhere, but it needed to happen. Someone who worked at Premiere Magazine back in 1997 was like: “Brendan Fraser is kind of a big deal right now, and you know what we should do? Naked photo shoot. Or almost naked. I don’t care. Basically, we need more of those ‘tee hee’ moments from George of the Jungle. Someone fetch some gold leaf for his junk.”

Thank you, http://www.brendanjamesfraser.com/, for preserving these glorious images, that we may remember the Brendan Fraser of yore.

morgandawn: (Art Noveau Blue)
 I’ve completed my page by page!! scan of my blog posts/reblogs 2018. Under this tag are all of the posts that Tumblr banned. Of the 2018 group, only 2 violated their new TOS.
morgandawn: (BSG Don't Even Start Kara scifijunkie)
Post-mastectomy images are explicitly allowed on Tumblr. A woman posted a series of photos about post-surgery breast tattoos. It was flagged, banned, appealed, "reviewed' and banned again. Even though Tumblr's policy allows these photos

After some trial and error, we have identified the censored image (at the bottom of these long damn post that I refuse to cut tag).
resist-much-obey-little-fan:“ @ bloodytales wrote:“I want more women to feel empowered to do this.Scars from breast cancer can be both hard to hide and embarrassing for some women. I wish they weren’t, because scars mean you’re a fighter and a bad...

resist-much-obey-little-fan:

bloodytales  wrote:

“I want more women to feel empowered to do this.

Scars from breast cancer can be both hard to hide and embarrassing for some women. I wish they weren’t, because scars mean you’re a fighter and a bad ass.

Women have told me after their mastectomy they felt self conscious about someone seeing their chest. My grandmother wore her false breast (she had only one boob removed) around even the house for a long time. (Of course, now when we were taking about the procedure she asked “want to see my boob?” And had to go fetch it from the other room. It was an interesting conversation to say the least.)

Anyway, breast reconstruction can be expensive, and some women either don’t want it or can’t have it done for various reasons.

But you know what, chest tattoos are easily accessible. There are even tattoo shops that give discounts to women covering up breast cancer scars. And women who no longer have a nipple? You can get a bad ass tattoo

Check out:

http://p-ink.org/

Their site starts like this:

image

They host pink day:

image

IN THE ORIGINAL POST THAT WAS BANNED, EXAMPLES OF THE BREAST TATTOOS WERE INCLUDED. REPOSTS WITHOUT THESE EXAMPLES WERE NOT IMMEDIATELY BANNED BY TUMBLR AS OF 12/21/2018 9PM.  

THIS IS THE ***4TH ATTEMPT*** TO ADD THESE IMAGES BACK, ONE BY ONE UNTIL THIS POST IS ONCE AGAIN BANNED.

[Image 1: BW photo of a white woman, shoulder length hair with a pearl earring, one post-mastectomy breast with tattoo visible,  side view of other breast, no nipples in view]

image

[Image 2: BW photo of a woman of unknown age and ethnicity. One post-mastectomy breast visible with tattoos no nipples visible]

image

[Image 3: 1 African American woman, joyful, one post-mastectomy breast with tattoo visible, side view of the other breast. No nipples visible.]

image

[Image 4: Two Caucasian women, one fully clothed, one topless, embracing and kissing . The topless woman on the left has a dolphin tattoo that  stretches across both breasts and is centered over her breastbone. The left breast is partially visible (no nipple), the right, shows the mastectomy scar with a tattoo and an intact nipple.]

image

[Image 6: Two women hugging. The woman on the right: her left breast is covered by a tattoo. Her right breast is a side view with a visible nipple.]

image

 

You can donate to the organization, or if you know a tattoo artist you can let them know they accept volunteers to be a part of their community of artists. 

Here is another bad ass lady and her bad ass tattoo (found on Pinterest)


image

 

THE ORIGINAL POST AND ALL SUBSEQUENT VARIATIONS WERE FLAGGED, REVIEWED BY TUMBLR “STAFF” AND IN SPITE OF THE GUIDELINES ALLOWING IMAGES OF POST MASTECTOMY BREASTS…THE POST WAS  STILL BANNED. 

image
image
image

HERE IS THE BANNED PHOTO

image
image
image

And the archive links of this post:

http://web.archive.org/web/20181223023230/http://resist-much-obey-little-fan.tumblr.com/post/181331891474/bloodytales-wrote-i-want-more-women-to-feel

https://archive.is/jz1IY

http://www.webcitation.org/74rxv9fiU

Tumblr:  Only double mastectomy pictures allowed. If you still have a breast better make certain that nipple is slanted in the other direction or is modestly veiled.

image
morgandawn: (Default)
In the end, it wasn't enough time to save every Tumblr blog.

Archivist Jason Scott works for the Internet Archive and runs a separate unaffiliated project, Archive Team, which is dedicated to preserving dying or endangered websites. So when Tumblr announced that it was banning all NSFW content from the site on Dec. 3, the team had a mere two weeks to save as much content as they could before the Dec. 17 ban began.

But apparently, Tumblr wasn’t happy with the Archive Team’s plans. According to a tweet from Scott, Tumblr “mass IP-banned entire swarths of @archiveteam volunteers and warrior instances” on Dec. 15, mere days before the ban.

[READ MORE]

As Scott told Fast Company, archivists are usually given “30 or 60 days or 90 days warning,” and with an estimated 400 to 800 terabytes worth of data affected by the ban, there’s only so much content that can be saved. It’s as if Verizon snapped a finger and wiped out porn from Tumblr and can pretend it never existed in the first place.

It’s a sobering reminder that when a major company quickly pulls the plug on a huge chunk of data, it also removes huge portions of the internet with it, damaging archivists’ ability to preserve our modern times for future generations.

“I expect screaming about all aspects of how this goes on,” Scott tweeted, addressing critics who wanted more privacy control over archived blogs. “I wish a tiny bit of that ire could be aimed towards the fact that this entire crisis is completely made up and the result of a truly random decision. I wouldn’t trust those organizations with any personal data.”

morgandawn: (Default)
 Last week the original poster appealed (and lost). I reblogged a screen-cap of the post that still is locked today. Note: if Tumblr flags it my screen-cap of the blocked post, some of the images below may not appear here.

On Dec 17, 2018 Tumblr Staff wrote:

“Examples of exceptions that are still permitted but that you may need to appeal if they are misclassified are: exposed female-presenting nipples in connection with breastfeeding, birth or after-birth moments, and health-related situations, such as post-mastectomy or gender confirmation surgery.“ @staff






IMAGE THAT I CANNOT EMBED, SO IT HAS BEEN UPLOADED TO DW



IMAGE THAT I CANNOT EMBED, SO IT HAS BEEN UPLOADED TO DW









morgandawn: (Default)
My Tumblr dash today. Nothing but 1950s housewife ads. They did helpfully suggest that I reblog my VCR post from yesterday.







morgandawn: (Default)
 Well..that was special

So for a full 17 minutes, my Tumblr was terminated without any notice.  As in…I hit post and my blog was terminated immediately.   I had posted asking for feedback on web-hosts that would host adult blogs and had asked about one specific site (Name Redacted)* which I have now learned is a  web-host that is not allowed on Tumblr. So I have my feedback about Name Redacted…just not quite the way I expected.

The good news is that Tumblr restored my blog quickly (thank you Staff for the swift response). But  I stand by my previous comment: 

Even if you do not have any NSFW images/content, import or backup now now. Tumblr is flagging everything from rocks to carrots and once Dec 17 hits, you may not be able to download a backup or import the full blog into Wordpress if items are flagged/made private. Or Tumblr may roll over on the morning of Dec 17  like a drunken sailor and crush your blog into pieces even if you’ve only posted a few Sesame Street photos (yes they flagged Big Bird too). “

*I had also included a partial link to the site in the following format because I had been warned that Tumblr is cracking down on external links. I can tell you that this will not offer you protection folks.: ex:  fakelinkfakelink(.)com will not save you.

Support wrote: “In the future please refrain from posting links or content from sites that violate our policies on Spam & Deceptive links (like Name Redacted) or your account will be automatically terminated again.”

Another important note: I partially listed the URL of an adult web-host in my post for the sole purpose of asking for input about the web-host. The web-host appears on many “Top 10 Adult Web-hosts”. Bottom line: there are no “safe” ways of communicating on corporate owned platforms. Look at what is happening on Facebook, Messenger and Instagram. Even your private communications on these platforms can be censored (and yes this time I am using the word censor).



I asked someone to test a link to Porn Hub on a throwaway blog and it was OK. A mention of the Web-Host Name Redacted in the Subject was OK. But as soon as Web-Host Name Redacted came near* the letters “Com” that blog was instantly terminated. 

tl:dr: if you happen to offer a path to a website they do not like......poof.  I don’t know what websites or web-hosts they consider to be ‘spam and deceptive”. No visibility to banned sites/web-hosts plus instant termination = Fubar.  Imagine what will happen the day you link to someone’s fanfic or art hosted on a site that they do not approve of. That no one has told you about.

*They were barely touching. Really.


morgandawn: (Default)

So for a full 17 minutes, my Tumblr was terminated without any notice.  As in…I hit post and my blog was terminated immediately.   I had posted asking for feedback on web-hosts that would host adult blogs and had asked about one specific site (Name Redacted)* which I have now learned is a  web-host that is not allowed on Tumblr. So I have my feedback about Name Redacted…just not quite the way I expected.

The good news is that Tumblr restored my blog quickly (thank you Staff for the swift response). But  I stand by my previous comment: 

Even if you do not have any NSFW images/content, import or backup now now. Tumblr is flagging everything from rocks to carrots and once Dec 17 hits, you may not be able to download a backup or import the full blog into Wordpress if items are flagged/made private. Or Tumblr may roll over on the morning of Dec 17  like a drunken sailor and crush your blog into pieces even if you’ve only posted a few Sesame Street photos (yes they flagged Big Bird too). “

*I had also included a partial link to the site in the following format because I had been warned that Tumblr is cracking down on external links. I can tell you that this will not offer you protection folks.: ex:  fakelinkfakelink(.)com will not save you.

Support wrote: “In the future please refrain from posting links or content from sites that violate our policies on Spam & Deceptive links (like Name Redacted) or your account will be automatically terminated again.”

Another important note: I partially listed the URL of an adult web-host in my post for the sole purpose of asking for input about the web-host. The web-host appears on many “Top 10 Adult Web-hosts”. Bottom line: there are no “safe” ways of communicating on corporate owned platforms. Look at what is happening on Facebook, Messenger and Instagram. Even your private communications on these platforms can be censored (and yes this time I am using the word censor).

 
morgandawn: (Default)
 I had posted about looking for tumblr adult hosting alternatives and as I soon as I hit send, I lost it all.

I just sent in a request to be restored.

I had not had time to make a backup of my full  blog (messages, drafts etc) so I lost a day, plus all the messages etc. The sideblogs were backed up.

edited: temporally back, trying to use their export tool asap just in case.

edited: their export tool backup failed, so I used python to make a second backup 

UPDATE: Well...that was special

morgandawn: (Default)
Assumptions

1. It is 10 GB

2. Stored as an index file and folders (which will look like this: https://zinedom.org/zinedom-tumblr/index.html)

3. Just want to archive it online for now…will figure out what to do moving forward

4. Lots of NSFW fan art

The blogs, if downloaded using the Python Tumblr Backup are easy to upload to a website (I have 2 domain names). But what kind of webhost will allow that?  

1. Data storage

2. Bandwidth (password protect to limit.)

3. NSFW ( Password may also assist with adult content)

Cpanel is a must. I cannot manage a website without one (ex Dreamhost's custom cpanel was too confusing)

 
morgandawn: (BSG Don't Even Start Kara scifijunkie)
We need to backup our blogs. And get our friends to do the same. And look for other people's blogs that need to backed up. We need to do all three to keep our communities from being erased.
 
1. We need to find a new place to 
A. Archive our existing blogs and 
B. Home for our  new blogs (moving forward)
 
Backup Options:
1. Use Tumblr's backup - it may not back up everything: https://tumblr.zendesk.com/hc/en-us/articles/360005118894-Export-your-blog (it may time out after 2000 posts)
 
2. Import our blogs to Wordpress - they have similar adult content restrictions so it would be best for an emergency only and make certain it is set to private until you can find a new home http://gallusrostromegalus.tumblr.com/post/180776360793/save-the-blogs 
 
3. Use a Python backup software tool which will back up most everything - it is tricky to install but there are fans willing to help.   https://github.com/bbolli/tumblr-utils/blob/master/tumblr_backup.md  and https://fiction-is-not-reality2.tumblr.com/post/180825573402/hi-ive-been-using-python-to-backup-which-has
 
Garfield is also offering to backup anyone's blog who needs it:  https://backuptumblr.com/
 
(Personally I think everyone should do both a Tumblr Export as well as find someone to do a Python Backup because none of these backups are perfect/complete)
 
4. People can use the Python backup software to back up any blog - not just theirs. Very important to push this message. If you love a blog that  is NSFW and the owner is not around, back it up now. Or ask for help backing it up.
 
Even if you don't have time/energy to backup your favorite blog, people should nominate their favorite NSFW blogs for archiving  by the Archive Team here:  https://docs.google.com/forms/d/e/1FAIpQLSdoYnlweKF-5iQ2G0FB9s7pDV_Le61dDU-gMMDsc8CQ50YBjQ/viewform?hl=en
 
Where to go?
 
Moving forward
1. If you host a Big Bang, you can set up a new Big Bang Challenge on AO3. But anyone.....writers, artists, vidders can post their fanworks to AO3. Artists  and vidders will need to figure out where to host their art/vids, but that can be done later. For now get everyone to backup their blog and its contents
 
2. Dreamwidth- they allow a limited amount image hosting, and are looking to increase the storage amounts
 
3. Pillowfort.io may also be a new home for us
 
Historical preservation (archive mode)
1. We can each get our own website and post the archived version of our blog and then use another platform moving forward (pillowfort.io? Dreamwdith AO3? ) with a link back to the old archived blog.  Example of what an archived  version of a blog would look like  is here:

"I was able to take the folder of files created by the Python Backup and upload the folder to my website and it looks great. Feel free to browse and let me know if there are problems or items missing.

New home: https://zinedom.org/zinedom-tumblr/index.html

Tumblr version: https://zinedom.tumblr.com/

 
morgandawn: (Default)
 

 

My test of the Python driven Tumblr Backup succeeded  (I’ll blog later about a problem that stumped me for an hour). 

I tested it on  a   small sideblog called zinedom (a project devoted to archiving zine era fanfic).  I was able to take the folder and upload it to my website and it looks great. Feel free to browse and let me know if there are problems or items missing.

New home: https://zinedom.org/zinedom-tumblr/index.html

Tumblr version: https://zinedom.tumblr.com/


morgandawn: (Default)
 

We, the archive team, think that petitions will change nothing. That is why we are prepairing for the worst. We have dealed with Yahoo before. They killed GeoCities with little warning (read more). Currently Flickr another Yahoo subsidiary is on the death bed too. That is because all accounts which have more than 1000 pictures will be frozen and many pictures deleted until 1000 remain. We do not have high hopes that Yahoo will turn around on this one issue of many. Do not get us started on theirBlogs, Video Platform and Groups.

We attempt to archive most of the NSFW blogs of tumblr. Instead of signing partition you can back up your own data and tell us about your favorite endangered blogs so we can archive them.

The tag of the campaign is #tumbledown btw. You can learn more about us here: https://17decemberarchive.tumblr.com/post/180795765906/save-endangered-tumblrs-before-17-december

morgandawn: (Default)
 Since Tumblr will no longer show my posts on my blog (you have to follow me now)

WayBack Machine Archiving Tips For Any Blog

These tips apply to your bog. Or that of anyone else’s. You do not have to be the blog owner to archive through the Wayback Machine (WBM).

1. The Wayback Machine allows you to submit a URL to archive.  Read more.

2.  If you have your Tumblr set to endless scroll you have to save each post one by one

3. If you set your Timblr so that there are pages (Previous/Next) you can “bulk” save each page of 5-10 posts and not just each post: 

Ex: https://meeedeee.tumblr.com/page/2

http://web.archive.org/web/*/https://meeedeee.tumblr.com/page/2

4. If you run a post or a page through the WBM, it is not guaranteed that the  embedded art will also be saved. If there is something you really want  to save, right click on the art and submit the image URL through the WBM machine

5. “Read More” and flagged material may not be archived correctly through the WBM. Check your links.

6. Audio and Video will not be archived

7. Why bother with the WBM? Why not download? Well, you should download your blog, no matter what. But you will be the only person who will see the download. To save the Tumblr post or entire Tumblr blog for future fans to see,use the WBM.

8. Want to save the blog of someone who has died or gone offline? You have  2 choices: submit the pages to the WBM or use the Python script below. 

Download only Tools to archive your blog:

Tumblr’s export tool

Github/Python Tool (you can also use this tool to archive someone else’s blog)

If you need help archiving a blog, Garfield, a fan vidder, is offering to use the Python install on their machine do it for free. 

morgandawn: (Vid Free! As Free As The Wind Blows...)

 

So let me talk about the state of vidding in our little corner of the fandom world.

Nine years ago, the fan vid world was standing on a beach, along with the rest of the fan universe,  looking towards the horizon. We wanted to find an awesome fan-friendly island where we could eat, drink and dance to fanworks.  The only boat we could access was an ugly commercial cargo ship that greedily agreed to let us on board, only to chain us and when they were done extracting all the value from us,  would toss us overboard to the sharks.

“Fuck that”, our little corner of the fan universe cried, and they  went off and built their own sailing ship called AO3 and set sail.

The ship solved the problem for the fan fiction passengers. The fan vidders and fan artists… well we didn’t quite fit onboard.* They did build handholds for us to hang on as the AO3 Ship ferried fans from the shore to the island. And they have life preservers to toss at us. They even have a lawyer to advise us what to do when the sharks come: “Hit it! Hit it right between the eyes. YEAH, SMACK IT HARD!  Contest that take down notice. You go girl!”

But let’s be honest…..we’re still in the water with the sharks. And there are many more of us on stuck back on the beach.

There does not seem to be many people working on building a boat for fan artists or fan vidders now. Part of the problem is that a vidding or fan art boat is going to have to be very large, made of steel, and have piston-like engines, not sails. Part of the problem is that there are millions of us, and without more visibility, we don’t really know if anyone else is working on a boat. And finally some of really don’t see the need for a boat of our own. That commercial cargo ship is just fine, and if someone else gets tossed over-board…well, it’s not their problem.  

But as I tread water, bobbing in the waves, I occasionally came across someone trying to build a raft.  This week, one of them started a fundraiser to help buy the vidding.com domain name. Some fans look at the idea of spending so much money on a domain as misplaced effort. Vidding is just a word, what matters is the community and the fanworks, not the name.  It would be like giving money to someone to buy a flag for their raft. Very pretty, fluttering in the breeze, but it won’t build the damn raft, and it sure as hell won’t get it launched.  And they’d be right …on  one level.  

Yet….I am still in the water along with the rest of the fan vidders and fan artists. Waiting.  I don’t see anyone else building any rafts. I don’t even hear much talk about patching together an inflatable inner tube.  But there is this one fan, trying to tie a few sticks together and asking for help buying a flag.  I have no idea if that raft will ever get built. I don’t even know if I will ever get to ride on the raft myself. I don’t know if I want to get on that raft with that captain when the time comes.  But I do know that a flag is a symbol and a message.  Flags raise up high and can be seen by others way down the beach. And sometimes they inspire others.  

*To be absolutely clear: this is not criticism of the OTW for not having built a boat for vidders or artists. I know they had those initial intentions and that it was hard enough to get the sails up to work for fan fiction.  If you want to argue that point, please take it up with the OTW board.  And the OTW is helping vidders: the DMCA Exemptions they obtain for fanvids every few years is a ton of work and incredibly valuable to our community.   So please volunteer and see if there is enough interest to reinstate the OTW vidding committee. Maybe even push to get an OTW fanart committee started. And if there are other vidding and fan art infrastructure projects, talk about them and support them in as wide arenas as you can. Let’s keep working to get more of us off that beach to celebrate and preserve the creations from our hearts.

 
(Tumblr Post)
morgandawn: (Art Noveau Blue)
Posted in full at: https://ift.tt/2J8MTZd on March 31, 2018 at 08:09AM

Why Did Fans Flee LiveJournal, and Where Will They Go After Tumblr? (link to the Slate Article)

“What you’ll notice from the chart is that between 2007 and 2009, things were happening with LiveJournal that made people not like it anymore. From the chart, you’ll see that it didn’t start to precipitously dip until a couple of years after that. You can see that Tumblr and Archive of Our Own, or AO3, are both climbing around the same time. I think that those had to get popular enough, enough people moving there so that those were a place for people to move to, because when there’s nowhere for you to go, they don’t go. You can think of AO3 and Tumblr as sort of the archive side and the social side of LiveJournal, so there wasn’t a single place that people could move to, so instead you see people going to both of those places.” 

Tags:fandom meta, fandom history, fandom platforms, ao3, tumbl, livejournal, archive of our own, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Default)
 Last year I found an IFTT recipe that allows me to cross-post from Tumblr to Dreamwidth by tag (yeah!!).

Big problem - the method (which sends a properly formatted email to Gmail with then uses DW's post by email feature, strips out all the links and formatting.   Is there any way we can post by mail to DW using Richtext? 

Example: This is how the text was formatted when it was sent via Gmail to DW

For me, the next space is Dreamwidth – it is already fan friendly and has half of the features that I want.  And for the other half – well, if I want something, pay for it, right?  So, here is my plan of action:
1) 
buy a DW paid account, even though I don’t have any use for its current paid features.   Because its developers need money if I want them to improve the site.  (And heck, I pay much more for Netflix.)
2) 
make some suggestions to DW for features that would make the site better.  (Top on my list: option to buy image hosting, ease of posting to different accounts, ability to reblog)
3) start consolidating my creative content on DW, and crossposting there.  (Maybe other people might slowly move there, as well, especially if the site is given the financial strength to improve.)
4) pay for fanart, fanfics, original writing, original art, etc.  Because the work we create is also worth something

This is how it appeared:

For me, the next space is Dreamwidth – it is already fan friendly and has half of the features that I want.  And for the other half – well, if I want something, pay for it, right?  So, here is my plan of action:
1) 
buy a DW paid account, even though I don’t have any use for its current paid features.   Because its developers need money if I want them to improve the site.  (And heck, I pay much more for Netflix.)
2) 
make some suggestions to DW for features that would make the site better.  (Top on my list: option to buy image hosting, ease of posting to different accounts, ability to reblog)
3) start consolidating my creative content on DW, and crossposting there.  (Maybe other people might slowly move there, as well, especially if the site is given the financial strength to improve.)
4) pay for fanart, fanfics, original writing, original art, etc.  Because the work we create is also worth something

edited: there seems to be little rhyme or reason to how the post by email "converts" (or does not convert).

I did find my older support request:


https://www.dreamwidth.org/support/see_request?id=31560

If you want to post by email, you have to manually hand code every email with html code or markdown. This severely limits the ability to use DW except via their web interface. The mobile email post method cannot be used to pass through emails with formatting intact so it limits my ability to allow DW to interact with the rest of the online services.
morgandawn: (Cat Basket Going To Hell?)
 So after much testing (and thank you to everyone who has helped and a special thank you to everyone who has not fled in horror), my plan for tumblr cross-posting is this:

Limit tumblr cross-posts to 1-2 a day, focusing on activism.  These posts will be tagged "activism" and if you have a paid DW account, you can filter them out.

Encourage everyone else to read my tumblr via the DW feed.      If you are on LJ, we have a feed there too.   My tumblr  has lots more fandom content and pretty pictures.  If you leave a comment at the RSS feeds, I won't be able to be notified, but I think that is a good compromise. 


morgandawn: (Art Noveau Blue)
Posted in full at: http://ift.tt/2hVhpH3 at January 05, 2017 at 08:29AM

potofsoup:

So, I had a shared blog on tumblr called learningtocomic, where me and a couple of friends would occasionally post things about our comicking shenanigans, and oftentimes use it as a platform for thinking through various aspects of the comicking process.  It had a respectable 200+ followers.

And then it got deleted due to tumblr stupidity.

That’s…. that’s a lot of content that has now disappeared into thin air.  I’m still waiting for a response from tumblr support before I go around salvaging what I can, but in the meantime, I’m thinking a lot about the content that we create here, for free, and put up on this here website.

Server space isn’t free.  Designing and maintaining a web platform isn’t free.  Any web platform needs developers to make it usable, support personnel to keep it a safe and sane space, and good management who actually considers our needs.  When a service is “free”, it means that at least one of those things is missing.  Tumblr doesn’t consider our needs.  LJ is poorly managed.  DW could probably use some more personnel, and has very little server space.

Right now, what with the LJ servers moving to Russia, and some predictions that the Russian company wants to gradually phase out the American (money-losing) side of LJ, I hear that many LJ people are decamping to DW.  With Yahoo basically in freefall, I think tumblr will die in a few years.  Already, various fandoms are going in different directions: imzy, discourse, etc.

Further fracturing of fandom aside, that doesn’t solve the problem that we keep expecting hosting and web platforms to be free.  Fandom, which generates a lot of free content (and accompanying wank), requires hosting and web platforms that aren’t free.  Because free actually means “our sales and marketing team is bigger than our development team”.  Free means “we are selling your information to the advertisers”.  Free means “oops we deleted all of your content but we don’t give a fuck because you’re not actually our customer.”

So we are faced with two options:
(1) migrate from site to site like digital vagrants, losing content and communities along the way, or
(2) pay.


I’m not saying that *everyone* has to pay.  Half of fandom are still in school, and another quarter are working 2 jobs and barely making ends meet.  But my experiences in fandom has also really shown me its generosity.  I recently was putting together a fan anthology, and had a payment process that was “pay what you can if you have financial trouble” coupled with “chip in $5 or $10 if you can help”, and the donations not only covered the people who couldn’t afford full price, but also covered incidental printing and shipping costs.

Which is to say – it’s doable, if we don’t take web platforms for granted.  If, when we migrate to the next place, we say “let us pay what we can” instead of diving straight into creating beautiful works of art (and then scrolling past the flame wars.)

For me, the next space is Dreamwidth – it is already fan friendly and has half of the features that I want.  And for the other half – well, if I want something, pay for it, right?  So, here is my plan of action:
1) 
buy a DW paid account, even though I don’t have any use for its current paid features.   Because its developers need money if I want them to improve the site.  (And heck, I pay much more for Netflix.)
2) 
make some suggestions to DW for features that would make the site better.  (Top on my list: option to buy image hosting, ease of posting to different accounts, ability to reblog)
3) start consolidating my creative content on DW, and crossposting there.  (Maybe other people might slowly move there, as well, especially if the site is given the financial strength to improve.)
4) pay for fanart, fanfics, original writing, original art, etc.  Because the work we create is also worth something. 



Tags:some of these may be borrowed tags, dreamwidth, alas, just after I'd moved back to LJ, good thing DW allows crossposting, jsyk -- if you report someone's blog, a careless tumblr support person might delete all of that person's blogs, even the completely unreleated blogs that they're a member of, fandom meta, potofsoup, fandom history, DWCrosspost

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morgandawn: (Art Noveau Blue)
Posted in full at: http://ift.tt/2dbCvmC at September 18, 2016 at 02:55PM

Beta Testers Needed: We’re exploring ways to expand the Media Fandom Oral History project into a DIY effort along the lines of Story Corps. What we’re looking for:

Two (or more) fandom friends willing (a) to interview one another (aka rambling fandom chats) and (b) to include their recordings into the existing oral history project

We need fans to test these methods

*Fans willing to chat with each another over phones using a conference call system

*Fans willing to chat with each another over Skype in connection with free recording software (we need people willing to test both PC and Mac)

*Fans willing to do chat with each another in person using free iPhone or Android recording software on their smartphones

Once done, you will upload the audio files into a Dropbox account. A permission form will also need to be signed by both parties and uploaded (scanned or photographed copies are fine).  There will also be a set of sample questions you can use.

Original Star Trek art by Caren Parnes, logo design by Morgan Dawn

Tags:fandom history, Oral History, media fandom oral history project, fanlore, DWCrosspost
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morgandawn: (Art Noveau Blue)
Posted in full at: http://ift.tt/24uTIMH at May 05, 2016 at 11:21AM

I consider myself to be a “middle era” slash fan. I entered slash fandom in the early 1990s at a time where queer activism was rising and the Internet was just taking off. By then slash fandom had a good 20 years already under its belt. But even in the 1990s, if you were gay and/or into slash, it was something you kept hidden from other fans until you were sure you’d be welcomed. Many women lived in fear of being outed to their families, children, employers or churches. And some were outed with predictable consequences. A lot of this is detailed on Fanlore: http://fanlore.org/wiki/Slash_Controversies

In my days of new-to-fandom, there was not much online slash fandom and few opportunities to find a slash community. If you posted about slash on Usenet, you were harassed. I was desperate to find slash fans and I located an old school Star Trek fan club in my area. I was welcomed by the group, invited into the club presidents home and offered a place at the table: but only if I could assure them I was not one of those filthy slashers. I said nothing and needless to say I did not return. Thankfully I found a slash mailing list (Virgule-L) and then the Internet happened and things changed.

Years later I ran into an early Star Trek fanzine publisher who told me that when she started publishing her slash zines in the 1980s, members of her local fan group had to swear they would not order the zine or take part in its production. Slash fanzine publishers were forced to stop selling their zines at fan conventions. Fans reported slash zine publishers to customs. Zines were seized by customs and fans had to explain in person why they were importing pornography. A fan in South Africa could not risk buying a slash zine, so the zine publisher and her friends mailed the fan 15 pages at a time, each from a different address. It is not surprising that many of the slash stories written and published in that era were written under a pseudonym. So persistent were the anti-slash fans, that after decades of being confronted with the same objections to slash over and over again, that slash fans wrote The Generic Slash Defense Letter.

The acceptance of slash within fandom has gradually lifted across fandom communities - but not everywhere and not for everyone. And the echoes of these incidents is something that many of us from that time - and the people who came immediately after us - still carry in their individual and collective consciousness. I look back now and shake my head in wonder. I also look to fandom today with gratitude that slash has become more accepted. And I look forward to tomorrow with the hope that we continue accepting it and the fans who read and write it.

Tags:fandom history, slash history, fandom meta, Star Trek history, DWCrosspost
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morgandawn: (Art Noveau Blue)

post-security: public
Posted in full at: http://ift.tt/1PAracR at December 03, 2015 at 09:27AM

Yahoo mulls shareholder demand to sell Internet business:

Yahoo owns Tumblr.

What’s your tumblr backup plan?

Me at Dreamwidth.

My ‘backing up your tumblr’ posts

Possible tumblr alternatives


Tags:tumblr, dreamwidth, DWCrosspost, tumblr tools

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morgandawn: (Art Noveau Blue)

post-security: public
Posted in full at: http://ift.tt/1H5vptK at November 16, 2015 at 05:45PM


 

Filk songs are a longstanding part of both media fandom and scfi-fi fandom history. Lyrics are often set to well known songs so that audiences can sing along. This filk song was performed in the early 1980s and released on the “Cosmic Connection” cassette tape.

THE TREKKER (to the tune of Simon and Garfunkle’s “The Boxer”)                  
(lyrics by Cheryl White & Jeanne Cloud)

image
Tags:filk, fandom history, the great broads of the galaxy, DWCrosspost

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morgandawn: (Dr Who Fantastic kyizi)

Ever wonder what types of fanzines are being published today? 

post-security: public
Posted in full at: http://ift.tt/1kzkBdn at November 15, 2015 at 06:53PM


http://ift.tt/1kzkyOT


http://ift.tt/1kzkyOV


http://ift.tt/1kzkyOX


http://ift.tt/1kzkBdp


http://ift.tt/1kzkz5d


http://ift.tt/1kzkBdr


http://ift.tt/1kzkz5i


http://ift.tt/1kzkz5k


http://ift.tt/1kzkBdv


http://ift.tt/1Jmzc18
 

State of the Union: Fanzines

Ever wonder what types of fanzines are being published today? There are still many traditional print fanzines (just head over to Fanlore or click on my fanzine tag). But more recently, I’ve seen limited run art zines being produced. Kickstarter seems to be a popular way of funding these zines. I would have included more, but tumblr only lets me add a certain number of images.

Links to their Fanlore pages or their Kickstarter page below.

http://fanlore.org/wiki/Supernatural_Artbook (Supernatural)

http://fanlore.org/wiki/Meat_Popsicle (Fifth Element, PDFs are still available)

http://fanlore.org/wiki/SPNIME (Supernatural Anime)

http://fanlore.org/wiki/Standing_Still (Orange is the New Black, free e-zine on Isuu)

http://fanlore.org/wiki/Banquet:_A_Hannibal_Artbook (see also the second vol: http://fanlore.org/wiki/Field_Kabuki:_Hannibal_Art_Book_Vol.2) (PDFs still available http://hannibook.tumblr.com/)

http://fanlore.org/wiki/Brooklyn (Captain America)

http://fanlore.org/wiki/The_Sterek_Book (Teen Wolf)

https://www.kickstarter.com/projects/1101071988/klaine-book-project-2014 (Glee)

http://misslucid.tumblr.com/tagged/hand-around-the-heart (Teen Wolf)

http://furyroadfanzine.tumblr.com/ (this is the one zine that has yet to be published, although they just concluded their Kickstarter fundraiser) (Mad Max Fury Road)
 

edited to add:

Not shown above: https://www.etsy.com/listing/211479850/loki-artbook-fanbook-sketches-loki-a?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=loki&ref=sr_gallery_24 (Thor, single artist) (copies still available)

http://avatarfanzine.tumblr.com/ (Avatar The Last Airbender)

https://www.kickstarter.com/projects/badinfluencepress/raw-a-hannibal-will-fanthology (Hannibal) (still accepting backers)

http://insufficientskillzine.tumblr.com/post/131784462111/insufficient-skill-a-dragon-age-zine-a (Dragon Age)

http://witnessmeartbook.tumblr.com/post/132501137963/its-the-announcement-youve-all-been-waiting-for (Mad max) (still accepting submissions)

https://www.kickstarter.com/projects/1916440866/recapitulation-an-inktober-artbook (Captain America) (still open to backers)

Tags:fanzines, fandom history, fanlore, fanzine history, fanart, fan art, DWCrosspost

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morgandawn: (Art Noveau Blue)


Posted in full at: http://ift.tt/1WGmIb3 at November 06, 2015 at 07:00PM
(via https://www.youtube.com/watch?v=niRUpJEbVx4)

This vid was shown at Kiscon 2015.  The full list is here: http://ift.tt/1SqKyHa

Vidder: Estalita11

Tags:vidder:Estalita11, kiscon, vidrec, fanvid, vidding, kirk/spock, star trek, dwcrosspost
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morgandawn: (Art Noveau Blue)

post-security: public
Posted in full at: http://ift.tt/1iFBsJK at November 05, 2015 at 08:00AM
 

 

stardust-rain:

All this leaving tumblr talk is making me hark back to the LJ days of old, man oh man.

some of the older fans here, who remember when we had to blog uphill both ways in the snow, will recall that The Great LJ Fan Migration didn’t just happen within a few months.

It took years for fandom to fully migrate and build a presence on the alternative site DreamWidth, and in between those years LJ made several fuck-ups that lead to its own demise, turning it into the fandom* ghost town it is now.

Brief history:

  • LJ is sold to SixApart in 2005. Previously ad-free for nine years and run by one guy named Brad Fitzpatrick, 6A monetised it, introduced ‘sponsored’ accounts in addition to basic, paid and permanent, which gives you ads in exchange for more features. It was annoying, but LJ had grown into a behemoth by then so it was understandable.
  • 6A then later sells to Russian company SUP in ‘07.
  • May 2007 was the first strikethrough. Fandom banded together, collectively shat on LJ staff for deleting an HP porn community pornish-pixies, along with several others, for alleged paedophilia and ‘violation of the TOS’. Several personal blogs and communities also got deleted and the uproar was huge. Deleted journals looked like this, hence the name. There is outrage, there is uproar, there are news articles, a BNF attempts and fails to burn a t-shirt.
  • People were already talking alternatives by then - InsaneJournal, DeadJournal and JournalFen being the most popular ones, but each had their own faults. JF was invite-only and 18+, DJ was extremely buggy and tended to break down and IJ was…ass-ugly (and ableist). Communities were scattered, there was some general shifting around and there was the beginnings of Scribblit, an fandom-oriented blog community, which didn’t really go anywhere. LJ had been active for 9 years, fandom had been present for around the same time, and people were reluctant to move. At the end of the day, not much changed.
  • But here’s the kicker of the whole shebang: SUP was planning to take LJ public. Strikethrough/boldthrough was them cleaning up the mess.
  • In August, three months later, it happened again only this time the deleted journals were bolded. There was more uproar, only this time people started talking seriously about moving.
  • Things are quiet for a year or two, but most people have lost trust in LJ staff. In this time: LJ disables basic accounts, changed the layout of the profile page, disables comment headlines which made kinkmemes a special sort of hell to navigate.
  • DreamWidth started its roots around early ‘09 with invite-only accounts for beta testing, run by previous staff split from the LJ board. This was the days before kickstarter and crowdsourcing, so it was kind of a big deal.
  • It wouldn’t be until 2011 that the platform would complete beta testing and open to membership. Biggest early comms are kink_bingo and scans_daily.
  • AO3 also start gaining users around this time.
  • The move to DW is gradual and took years. People dropped off the radar, lost contact, some people stayed - it wouldn’t be until late 2013 that DW and LJ would be on equal standing fandom-wise.
  • Parallel to this, Tumblr was getting popular and some people skipped DW altogether and just moved to Tumblr.

LJ is by now a ghost town, but it’s going to take years before any significant change in userbase will take effect and make a dent in Yahoo/Tumblr’s pocket.

All has happened before and will happen again etc etc, because when fandom makes a blogging platform grow in size, they will inevitably have to sell out and this eventually fucks its userbase over. Tumblr has an estimated userbase of 30-50 million, which is at least three times the size of LJ when it was bought.

I’m glad people are so optimistic about all this, but I also doubt that much is going to come from it.

I’m sure that people older than me, who moved from usenet to yahoo mailing lists and Geocities, have a lot more experience in this.

(*LJ is still the most popular blogging platform in Russia, let’s not forget. Just because fandom doesn’t reside there any more doesn’t mean it’s completely irrelevant.)

spartytoon:
I think a blogging platforms popularity is its ultimate downfall. More users = more bandwith, which means it costs more to operate. If you want to keep things running, you HAVE to monetize it. There’s no ifs ands or buts about it. You can’t expect something that’s all volunteer to work perfectly all the time, and really, you shouldn’t. I actually don’t think xKit guy should go to so much trouble to “fix” Tumblr. He doesn’t work for Yahoo, he’s not getting paid for it but Yahoo ultimately benefits from his hard work.

Fandom has had a long, sad history of not wanting to pay for things, and its very telling that the greatest rage swells up when platforms go after illegal (scanlations, fansubs and so on), and questionable content (all the porn) first. That’s ultimately what gets fandom to move: the lack of easy access to free stuff.

Tl;dr: blogging platform gets popular; becomes too costly to operate; clears out all of the illegal/questionable stuff; monetizes somehow (ads, usually); fandom gets pissed and leaves. Lather, rinse, repeat.
 

 


Tags:fandom history, fandom meta, livejournal, strikethrough, tumblr, the way of all flesh', DWCrosspost

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morgandawn: (Art Noveau Blue)

post-security: public
Posted in full at: http://ift.tt/1PnJUu5 at November 04, 2015 at 06:00PM

Strikethrough and Boldthrough - Fanlore:

spartytoon:

I think I’m gonna post some Fandom Drama stuff for a while here since I’m sick and tired of watching people repeat history. Because, trust me, these sorts of hijinks are nothing new. Also, don’t let the radfems fool you, women are usually just as depraved as men when it comes to fandom content and drama. Sometimes worse. Who am I kidding? Often worse.

Anyway, the Tl:dr is: LJ decided to monetize more of the site and bowed to a conservative Christian group, which largely involved them opening the basement doors and cleaning out all of the child porn. There’s a few things to keep in mind here…

- Livejournal has always been pretty heavily female dominated. By heavily, I mean, a community of 300 people would only have three to five guys in it. Seriously. Guys were like unicorns in LJ fandoms.

- Naturally, the purge pissed a lot of people off, and not just the people who were mistakenly axed. Porn depicting underaged characters has been a staple of fandom for some time, and much of the discussion in the above link is by women who were DEFENDING it as a harmless exploration of sexuality (since no actual children were involved, and at the end of the day it was all fiction/drawings (which I agree with, even though I detest the stuff).

- I am 100% certain that many of the women who once drew underaged characters in various fucked up situations now lead the charge against child porn. Likely because they now have children of their own, and have forgotten what they drew/wrote as teenagers.

- Oh yeah, a good portion of LJ’s most prolific NC-17/M rated artists and writers were teenaged girls. So it was often 15 year olds drawing or writing porn of 12 year olds. Boys, usually. Gotta have that shota.

- Something similar happened to DeviantArt but I haven’t located that rundown of events yet (if anyone even bothered to document it). Many people flounced and came to Tumblr where presumably they could post their pre-timeskip NaruSasu yaoi in peace (they’re 12, before the timeskip, btw - could hardly browse the Naruto tag without running across it).

- Where they were hounded again when Yahoo bought the site and decided to try to contain the porn, and crack down on the underaged stuff. Again, this heavily effected a lot of female fanartists, and people were generally pissed. But I’m guessing most of you don’t remember any of that, even though it only happened a few years ago.


Tags:fandom history, fandom meta, livejournal, strikethrough, DWCrosspost

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morgandawn: (Art Noveau Blue)

post-security: public
Posted in full at: http://ift.tt/1Mdnqrf at November 04, 2015 at 03:00PM
mizstorge:

Just about seven years ago, on 29 May 2007, hundreds of fans with accounts at Livejournal made the shocking discovery that their blogs, and those of some of their friends and favorite fandom communities, had been deleted without prior notice.

It’s estimated that Livejournal suspended approximately 500 blog accounts. The only notice of this was was the strike through the names of the suspended blogs, which led to this event being called Strikethrough.

At the time, Livejournal was the primary blogging platform for fandom. Its friends list and threaded conversations enabled fans to find each other and have discussions. Its privacy settings allowed fans to share as much or as little as they chose. It was a place to publish and archive fan fic, art, and meta. These features give some idea why the deletions of so many fandom blogs was devastating.

Speculation and uncertainty were rampant during the two days it took for Livejournal to finally respond to demands from users for information. At first, LJ stated only that it had been advised that journals listing an illegal activity as an interest could be regarded as soliciting for that illegal activity, which put the site at legal risk. It was eventually revealed that Livejournal and its owners at the time, Six Apart, had been contacted by a group calling themselves Warriors for Innocence, a conservative Christian organization with ties to the militia movement who accused of being a haven for pedophiles and child pornography.

LJ had based the account suspensions on the tags used in LJ blogs. LJ users list their interests in their profiles, and those interests functions as tags. LJ took the blanket view that there was no difference between blogs listing “rape”.”incest”, or “pedophilia” among their interests, and blogs with posts tagged “rape”. “incest”, or “pedophilia”. As a consequence, some of the accounts that were suspended were support sites for people like rape survivors and gay teens, as well as the fandom sites that posted book discussions, RP, fan fiction, and fan art.

Livejournal grudgingly issued a partial apology to users on 31 May, but it took months for the organization to sort through the suspended blogs. According to Livejournal, most of the suspended accounts were restored. Not all of the suspended accounts were restored, and some of those that weren’t belonged to the support groups and fandoms.

One result of Strikethrough was that many communities and individual fans locked their blogs so the content could be viewed only community members, or those on their friends lists. Other fans opened accounts at blogging platforms like JournalFen, The Greatest Journal, or Insane Journal. There was definitely an atmosphere of mistrust and paranoia that hadn’t previously existed, and part of the problem was that Livejournal had not come through with promised clarification about what sort of content violated the ToS.

So, of course, it happened all over again.

On 3 August, Livejournal once again suspended a number of accounts without warning. This time, the account names were bolded, and the event became known as Boldthrough.

These deletions were the result of decisions made by a group consisting of members of LiveJournal’s Abuse Prevention Team, made up of LiveJournal employees, and Six Apart staff, that had been set up to review blog content. This group was had been empowered to declare blog content offensive, a violation of the ToS that was defined by the team as content not containing enough serious artistic value to offset the sexual nature of the material. The team was empowered to terminate accounts without warning.

Anxious and angry LJ users had to wail ten days until LJ issued a response. Eventually, the ToS was changed to state that accounts deemed in violation of the ToS would in future be deleted only if the offender refused to delete offending content.

Just a few days before Strikethrough, LJ user astolat proposed a new blogging platform and fan fic archive be created by fans, for fans. This was the birth of the Organization for Transformative Works, a non-profit organization dedicated to provide access to fanworks, and to protect and defend fanworks from commercial exploitation and legal challenge. Strikethrough and Boldthrough definitely pushed the project along. OTW opened DreamWidth in beta mode in April 2009, and began open beta testing of Archive of Our Own in November 2009.

 The OP has issued a corrected version of her 2014 post and has also added the following:  

DreamWidth opened for business in the summer of 2008. DW was conceived by former LJ staff members who shared the vision of a journal site created by people who understand journal users because they are journal users, too. Like LJ, it is a for-profit business that features both paid and free accounts. Unlike LJ, DW is dedicated to being totally ad-free. From the outset, it was designed to be fandom-friendly, and the ToS do not restrict the type or appropriateness of content. Initially, invites were required to open an account. This was done to control how many new accounts were created at any given time, and to ensure that sufficent resources — hardware, bandwidth, and support — were available. The invite system encouraged former LJ users to bring along their friends, and helped to ease the transition of fandoms from LJ to DW. The invite system was discontinued in December 2011. 

In mid-January 2010, DreamWidth came under pressure by an undisclosed group who tried to convince DW’s server and PayPal, among others, that DW was a platform for child pornography. DW refused to give in to the harassment and intimidation, and promptly notifed users about the situation. The only consequence of the group’s pressure was that new requests for paid services were temporarily put on hold until DW was able to find a new payment processor service. DW remained true to its Guiding Principles by keeping users informed throughout this incident, and respecting freedom of expression by refusing to delete any posts or blogs to satisfy the demands of the group of trolls.

Which brings us to Tumblr.

Tumblr was launched in 2007. While not all fans have embraced it, citing reasons like character restrictions in replies and asks and the difficulty of finding others who share one’s fandom, it’s certain that the majority of fandoms are well-represented.

However, in July 2013, fans once again expressed outrage when Tumblr - without warning – removed without warning accounts flagged as “NSFW” or “Adult” from public searches, made those blogs inaccessible to Tumblr users not already following them, and deleted a number of tags from its mobile app, including #gay, #lesbian and #bisexual. In a manner unsettlingly reminiscent of Strikethrough and Boldthrough, Tumblr did not immediately respond, and the response posted 24 hours later was widely regarded as a non-apology apology. Tumblr claimed it had been trying to get rid of commercial porn blogss, and eventually asserted that all the removed accounts had been reinstated.

If there’s a lesson to be learned from this, it’s that of George Santayana: Those who cannot remember the past are condemned to repeat it. Most blogging and social networking sites are in business to make a profit, and fandoms make them uncomfortable. They inevitably take steps to control the content being posted, to keep outside groups or their new owners happy, disrupting fandoms and deleting material that fans had considered to be safely stored.

The only solution I can see is for fans to copy and back up the things that are important. Maintain active accounts at several sites. Keep a list of your friends’ pseudonyms and emails.

Because the only thing that’s certain is that it’s going to happen again.

I highly recommed A brief history of fandom, for the teenagers on here who somehow think tumblr invented fandom: by ofhouseadama.

I intend to make proper footnotes at some point, but until then, here’s a list of sources used in writing this article:

Read more... )

 

for-the-other-shoe:
Thoughtful summary and great collection of links.

One addition/correction: Dreamwidth is not an OTW project, though both OTW and Dreamwidth were developed by fans partly because of frustrations with LiveJournal, including but not limited to Strikethrough.


fanculturesfancreativity
A brief history of fandom, for the teenagers on here who somehow think tumblr invented fandom: by ofhouseadama.

Why this is important (READ IT ALL).
 

Meedeee:
One of the many reasons the OTW prospects like Fanlore and the AO3 matter. 


Tags:fandom history, otw, ao3, fanlore, Organization for Transformative Works, servers of our own, queued, DWCrosspost
morgandawn: (Art Noveau Blue)

post-security: public
Posted in full at: http://ift.tt/1QbRKHS at November 04, 2015 at 05:01AM
 

vieralynn:

My real problems with tumblr as a fandom platform:

1. No centralization, just a massive firehose of complete random stuff organized loosely via an ever evolving anarchy of tags.

2. Whenever a fandom appreciation week or meme month is announced, I only find out about it via happenstance because there is no single tag/blog to go to.

3. Stuff happens so fast that I cannot keep up even if I log in for 30-60 minutes most evenings of the week.

4. No way to easily find old posts that would interest me.

5. Ppl change their blog name at the drop of a hat, can no longer find old content from them. :C

6. What tag should I look under for something? No one can agree, especially for many ships.

7. Email notifications aren’t very good. Communication facilities are bad. Discussion facilities might as well not exist.

8. No way to filter my dash to only see content X vs content Y. (For instance, my short listed friends or only the announcement blogs).

9. Discussions are a nightmare- It’s like a giant game of telephone and absolute randomness occurs by the third reblog.

10. Everything about tumblr is designed for fast immediate consumption. Consume, enjoy, forget, move on. Revisiting or archiving or creating a sense of place for a subfandom community is really, really difficult unless that place becomes a blog that gets lots and lots and lots of submissions. Any blog that only posts once or twice a day (ha, or less) gets lost firehose of the endless streaming dash.

meeedee:

I love tumblr’s ease of including video and images. I’ve gotten the hang of reblogging. But yeah, I agree with most of this.


Tags:fandom meta, tumblr meta, DWCrosspost
morgandawn: (Star Trek My Fandom Invented Slash)

post-security: public
Posted in full at: http://ift.tt/1Q4VHiA at November 03, 2015 at 10:38PM
 

wyntereyez:

…..Then I went to “The Evolution of Fanfic,” which interested me since I caught the end of the era where fan fic was something found in fanzines and sharing them was a very private, under the table thing.  I remember that I didn’t get into fandom until college, when I finally had internet access.  This panel felt very academic, and was interesting.  The very first slash story, for example, was a Kirk/Spock story that started as a writing exercise in which the writer didn’t identify the characters or their sexes, though the author said in her notes that’s who she was writing about.  Apparently, it’s online somewhere, and now I have to find it….  Anyway, the gist of this panel is that we all have it easy these days…

meedee:
The Star Trek story is called “A Fragment Out of Time”. You can read more about its history at Fanlore, the fan run wiki about media fandom.


Tags:fandom history, star trek history, slash history, destielcon, fanlore, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)

post-security: public
Posted in full at: http://ift.tt/1Hql6v1 at November 03, 2015 at 08:54PM 

 

deansangelicpurity:

I finally get it.  I finally understand what bugs the haters so much about DestielCon.  This is gold.

They keep making the argument “Why can’t you just do that in your pjs over Tumblr?  Why can’t you just go out to eat and hang out?  Or Skype?  You’re paying to see your friends that’s so obsessive and weird.”

They honestly have no earthly idea how many Destiel shippers there actually are.  They’re either completely ignorant of it or are choosing to not look into it.  Because those suggestions are all fine and dandy when there’s like, fifteen of you or something.  Hell even like twenty.

But there’s WAY more than that.  There was over a hundred people that came to the con last year, THE FIRST ONE EVER, which is entirely UNHEARD OF when it comes to fan made cons to have those kind of numbers on its first run-through.  I don’t know the count from this year’s con, but it’s likely more than last year.

You can’t fucking Skype with over a hundred people at a time.  You can’t just go out to eat with a hundred people, especially since they’re scattered everywhere across the country.  Those suggestions are absolutely ludicrous to consider when you have THAT MANY people that want to convene and have fun together.

I can’t stop laughing I mean, this is hilarious.  They’ve been telling themselves Destiel fans are so small and only 1% etc etc for so long that they literally cannot wrap their head around the fact that our numbers REQUIRE a convention environment if we want to all convene and celebrate with each other at the same time.  Like come on.  That’s fucking brilliantly ignorant.

caswouldratherbehere:

140 this year. And yes, that’s a very, very tiny fraction of the destiel fandom. I’d guess the bulk of the destiel fandom still doesn’t know about the con, and of those that do, even more can’t make it to due to schedule conflicts, traveling expenses, or just being way too far away to be able to consider it. There a plethora of reasons someone might not be able to make it. Then there are some aren’t in to the idea, and that’s fine too.

140 sounds small but in context to other fan conventions, that it only just finished its second year, and other outside factors, that’s huge.

And yeah, I’d like to see a Skype call with 140 people. Epic.

 
meedee:
As someone who started participating in fandom both online and going to in person events, it seems odd to favor only one way of interacting with fellow fans. I love both types.


Tags:fan run conventions, conventions, destielcon, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Star Trek My Fandom Invented Slash)

post-security: public
Posted in full at: http://ift.tt/1NckOK9 at November 03, 2015 at 04:14PM


 

spirkian:

The cake.

Star Trek K/S fans held their annual Kiscon convention in Seattle this weekend. This is the celebratory cake, festooned with artwork from Courts of Honor. Courts of Honor was written by Syn Ferguson who was the guest of Honor.


Tags:Star Trek convention, fandom history, fanzines, Kirk/Spock, space husbands, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)

post-security: public
Posted in full at: http://ift.tt/1Mxname at November 02, 2015 at 08:00PM


 

otwelections-unofficial:

It’s time for the OTW elections!

Elections for the OTW — the nonprofit behind AO3, Fanlore, Transformative Works and Cultures and other projects — start on November 6, and it’s time to make your choice. If you’ve made a donation between October 6, 2014 and October 6, 2015 and chose to become a member, you have the right to vote and choose two directors joining the OTW Board for the next three years. 

 Here are the candidates:

Votes are tallied according to the IRV system (what does this mean?). When it’s time to vote, please rank in order of preference the candidates you want to see win. If you don’t want to support a candidate, don’t rank them at all. There are two seats open for election this year. 

If you want to read up and share your thoughts on the issues surrounding these elections, check out the #otw elections tag. 

Come November 6, if you have the right to vote in the OTW elections, please read up on the issues at stake, choose your candidates, and vote.


Tags:otw, otw elections, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)

uptownstump:

TH*NKS P*TE

From Fanlore, the fan-run wiki about media fandom:

Lost in a crowd is a panfandom tumblr meme that started in August 2015. It is a text-based meme in four parts: character A can’t find character B in a crowd and says “This calls for drastic measures,” character A shouts something that character B is guaranteed to find offensive, character B leaps out of the crowd and shouts something angry in reply, character A says either “There they are” or “Found them”. Often the thing guaranteed to anger character B is an insult to character A.    memedocumentation identified the origin of the meme as aSteve/Bucky post on August 10 by jibblyuniverse.[1] As of October 2015, the post has over 46,000 notes.”

This page brought to you by Fanlore’s Random Page Generator


Tags:fanlore, fandom history, lost in a crowd, fanlore random page post, tumblr meme, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
morgandawn: (Art Noveau Blue)
Posted in full at tumblr at October 01, 2015 at 11:11AM

meeedeee:

ormondhsacker:

Since some people apparently misunderstood what I was trying to discuss - well it started as a rant, but turned into a discussion somewhere along the way - in this post, I shall try to make my point clearer and tag everyone who participated. Whether they want to continue the discussion then I leave up to them.

So in no particular order of appearance: meeedeeeageorwizardry,doomhamsterbert-and-ernie-are-gaycentrumlumina,impostoradultflourish

My rant was born of a frustration that every time anyone tries to discuss why F/F fics and female centred fic in general are ignored to the extent that they are, a common argument to shut it down is ‘well, fandom is dominated by straight women so what do you expect?’.

But there’s no evidence to support this claim and a good deal of circumstantial evidence that indicates the opposite might be true. Hence my rant about a reference for the straightness claim.

My interest is not and never was about women who read fanfic as a source of porn, there are problems in this kind of borderline fetishisation but it is not for this post nor did I intend the other post to go in the direction of discussing porn preferences. (Kindly don’t go there with this post. I know it’ll be difficult but please make another post and tag me in it. I’m sick of this discussion getting derailed into smut land). My focus was on all the rest of the fics, the relationship ones, the romantics, the angsty, the plot based action fics and so on, they too get ignored in a way they never would if it was an M/M or even just M/F fic, even when they’re not about people’s OTP.

But for some reason fandom is so obsessed with two white boys bonking that they’re incapable of seeing beyond the porn in fanfic, which raises the question why a space that is supposedly welcome to LGBTQIA people perpetuates the homophobic hypersexualisation of same gender pairing that the rest of society is so eager to do.

My interest in the sexuality of fandom is actually marginal. It could be an interesting thing to examine, but it is in no way high on my list. My one and only interest in it is insofar at this enforced heteronormativity of fandom is used as an argument to shut down discussion. And being of a particularly non-straight sexuality does not exempt a person from perpetuating this mindset - most whom I have seen use it have been identifying as bi or pan, but this is anecdotal evidence - 

The reasons for reading and writing slash (and no, I don’t fucking mean smut I mean fics with same gender pairings that’s what the term slash means, it does in no way exclusively cover smut fics no matter how much homophobes would claim that jeeze) are multiple and varied and no single study could ever remotely cover everything and anyone who claims otherwise is either ignorant of how academic research works or lying. But saying that there should be no protest, no questioning, no examination of why F/F fics are ignored, of why the supposed heteronormativity of fandom is used as an argument to shut a mere attempt at debate down, is further alienating and shoving under the bus those (female) fans who are uncomfortable with these mechanisms, because in doing so they’re being told, once again, that they’re unwelcome in fandom.

As usual, the topic threads are so complex that it is hard to track what is being said. I often feel like we are talking past one another (which, when you read the diverging threads you will understand that we often aretalking past one another)

Several questions have been posted and they don’t always intersect
1. Where did the myth start that fandom was comprised of straight women? (history question and answer)
2. Why does the myth still persist? Why are people relying on outdated research?  (history and current research question)
3. Is there new research going on that will give us better data about the makeup of fans (current research question)
4. Are there methodological limits on what kinds of data  we can obtain? (current research question)
5. Does the discussion of why women write slash run the risk of over emphasizing some aspects of our culture (gender politics) and de-emphasizing  other aspects (female sexuality) (sociological /gender politics question)
6  Even assuming fandom is mainly queer/bi why does femmeslash constantly get sidelined in favor of male/male slash ?(sociological /gender politics question)
7. Does the continued  discussion of fandom’s gender makeup or motivations for writing  slash marginalize those who want to discuss why femmeslash is being ignored? (sociological)

I am certain there are some that I missed or that I oversimplified or linked to the wrong posts. But it may help further the discussion if we indicate what aspect that we’re focusing on.
 

_____________________________________________________________
To answer #6 (so sorry about the numbering):
 Even if fandom was predominantly heterosexual, I don’t see how fans can rationally use this fact to shut down discussions about why there is a lack of femmeslash* 

Just because one is heterosexual does not mean one would not be interested in femmeslash.  Just as not all heterosexual women are interested in m/m slash.   So to use the presence of heterosexuality to shut down discussions of femmeslash makes about as much sense (to me) as using Chinese grammar rules to shut down discussions  of English grammar rules.   

Keep in mind that I come from a  slash (M/M) perspective and from a time where enjoyment of male/male slash placed you - whether you were heterosexual or gay - outside any norm. We might as well have been speaking Martian back then. (”So…you’re straight but you like to read about men bonking? Wait, you’re gay and you like to read about men boking? No, wait, you’re bi and you like to read about men bonking? Stop it!  Just. Stop it!! What’s wrong with the lot of you!!!?”)

Back in 2013, when the AO3 census survey results were posted, there were similar discussions. And I found this one quote that pretty much summed it up for me:

“There are so many things that set us on our course of sexuality, and only a few of them are the things people mean when they talk in labels.” 

*This is not to say fans are not shutting down discussions. 
_____________________________________________________________

More thoughts on #1:

other commentators have pointed out that  historical data about the sexual preferences of slash readers has been incomplete. Not only were there no surveys, even if there had been, many of the participants who might have identified as gay or bi would not have answered truthfully. This has everything to do with the lack of acceptance and self awareness of being bi or gay in the US in the 1960s-1990s.  

Anecdotally, some of the “formerly heterosexual fan pairs” that I met in slash fandom in the 1990s have now gone on to marry or become partners.  So the outward expression of their sexual preferences  has changed over time as our society has grown more accepting of the expression. This would skew any survey and statistical results - if there had been any. So the "slash readers are primarily  heterosexual" statement is neither 100% correct nor 100% false - from a historical point of view.  We can try to extrapolate backwards from today's data*, but we cannot know for sure.

*those who gathered the more recent data would also be the first to point out how limited their surveys were - both in terms of scope and methodology.


Tags:slash history, fandom history, fandom meta, femmeslash, DWCrosspost
Tumblr post (this is likely a reblog, and may have more pictures over there)

morgandawn: (Default)
Vidder Radio is a series of interviews by the owner of vidders.net, an alternative streaming website for fanvids

link to Interview
morgandawn: Fandom is my Fandom (Fandom is my Fandom)
"I don’t like Chicken Little attitudes: OTW has been plagued by naysayers who think it’s on the point of collapse since the Livejournal post where the concept of AO3 was first proposed. OTW is not going to suddenly collapse just because the “wrong” person wins an election. But the reality is that AO3 got fucking ginormous much, much faster than anticipated, and the management and planning just didn’t keep up. There have been problems with project management, communication, and delegation for years at this point. Financially… well, OTW is Magic Mike, and fandom’s been making it rain, but a lot of that money remained stuffed in OTW’s thong, doing nothing useful. Looks like there’s no oversight of it at the moment either."
— olderthannetfic on “Why You Should Vote In The 2015 OTW Elections” - Part 1

She then goes on to give specific suggestions and recommendations.  

Deadline to become a voting member is Oct 6. 

Elections are between Nov 6-9, 2015.

An unofficial OTW Election News Blog

morgandawn: (Default)

otwelections-unofficial:

Hi, everyone! The official OTW Elections timeline has now been posted, and it has been decided that everyone who became an OTW member (made a US$10 donation and opted for membership) between October 6, 2014 and October 6, 2015—inclusive—is eligible to vote in the November elections. So if you want to vote this year, please make sure that includes you.

Some essential info:

The elections will take place on November 6–9, 2015. If you’re a member, please read up on the candidates and vote! (And until then, please signal boost!)

morgandawn: (Art Noveau Blue)
Posted in full at: http://ift.tt/1W1MpEr at September 15, 2015 at 09:39PM

(via She Hates Me : Sisabet : Free Download & Streaming : Internet Archive)
The Fanlore page

Tags:vidding, fanvid, fan vid, vidder:sisabet, moonlighting, vid:she hates me, DWCrosspos

morgandawn: (Art Noveau Blue)

Always make certain you have enough pet crates and vehicles large enough to evacuate your animals in case of emergency.

“When they departed in a rush, they had been unable to fit their large St. Bernard, Stinky, in the car. “He followed us for a few miles, then we had to speed away and we lost him,” Candlario recalls.

He had tweeted a social media plea for neighbors to watch out for the dog but was overjoyed to find upon his return that Stinky was waiting at the ranch house.

“There he was,” says Candlario. “I can only imagine what he had to go through to find his way back during that fire.”

http://www.csmonitor.com/USA/2015/0914/Amid-destruction-of-California-s-Valley-fire-moments-of-deep-gratitude

 
morgandawn: (Art Noveau Blue)
heidi8:Fair use is … wholly authorized by the law. That’s what the 9th Circuit said today, in a ruling that will become a terrific tool to support sharing of transformative works (like fanfic, fanart, cosplay, fanfilms, filks, etc.). Back in 2001 and 2003, when I first started writing and speaking about fair use in connection with what we’re now calling “fan law”,  we did a lot of argiing by analogy. Caselaw hadn’t really caught up with how people were actually using the internet and definitely hadn’t caught up with the idea that fans of a show or book or film or band or piece of art or work of creativity would create a “follow-on work” and share it at no cost to anyone, on the internet. But lawyers argue by analogy - we go before a court and say “this is similar to that, and thus the laws for that should also apply to this”. That’s how it works (at least in the US) so it was reasonable  to say because of court rulings in The Wind Done Gone and the 2 Live Crew case re Pretty Woman, or a 1996 case in the 11th Circuit that said “fair use is not an infringement, that (noncommercially distributed) fanworks - as transformative works - were fair use and thus were not infringements of someone’s copyright. By and large, over the last fifteen years (and actually, through  the 90s too) the courts have agreed with this concept every time something that parallels an aspect of fanworks comes before an appellate court. Click the Fair Use tag here for examples. However, today the 9th Circuit issued its ruling in Lenz v. Universal, a case that dates back EIGHT YEARS to a pre-Google time at YouTube, when the tv networks were all freaking out about this new way that people could get content via the internet, and the music companies were continuing their perpetual angst about the idea that certain uses of songs could be, in any way noninfringing. While Lenz doesn’t really redefine large swaths of law, it makes a few points explicit and clear: Fair use is not just excused by the law, it is wholly authorized by the law.A copyright holder must consider the existence of fair use before sending a takedown notification.The DMCA requires consideration of fair use prior to sending a takedown notification…If a copyright holder ignores or neglects our unequivocal holding that it must consider fair use before sending a takedown notification, it is liable for damages.A copyright holder who pays lip service to the consideration of fair use by claiming it formed a good faith belief when there is evidence to the contrary is still subject to §512(f) liability.The court also quoted a brief from transformativeworks (OTW/AO3) where we set forth when computer programs might be of use in finding infringements where  “(1) the video track matches the video track of a copyrighted work submitted by a content owner; (2) the audio track matches the audio track of that same copyrighted work;and (3) nearly the entirety…is comprised of a single copyrighted work.” As you can see, that process wouldn’t be applicable for fanworks. The ruling doesn’t mean an end to automatic takedown notices; where a file of concern matches exactly to a single copyrighted work *and* nearly the entirety of the file of concern is comprised of that single copyrighted work, bots and automated notices would still be viable. But a video manifesting mashup culture or a story that’s a follow-on work or a meme that includes a copyrighted photo and text that comments on or criticizes something, or educational infographs should not be DMCA-ed by autobots, and any analysis by the copyright-holder of the fanfic, fanart, etc. they’re looking at must actually look to current law regarding whether something is a transformative work/fair use/otherwise noninfringing. Does this mean that creative fans will suddenly start experiencing fewer DMCA takedowns? Possibly, but also maybe not. But it does mean that if a creative fan gets a DMCA takedown/notification about fanworks (especially when there’s no commercial sale) the fan can and should push back on whether the sender has actually considered fair use; if it’s obvious that they haven’t, the creative fan may be able to seek damages. Perhaps that risk of damages will be a disincentive to copyright-holders, so they focus their attention, and DMCA notices, on works that are actual counterfeits - copies of entire movies, books or tv serieses, or high resolution copies of art. Copyright holders cannot shirk their duty to consider—in good faith and prior to sending a takedown notification—whether allegedly infringing material constitutes fair use, a use which the DMCA plainly contemplates as authorized by the law. And that’s a good thing. 

heidi8:Fair use is … wholly authorized by the law. That’s what the 9th Circuit said today, in a ruling that will become a terrific tool to support sharing of transformative works (like fanfic, fanart, cosplay, fanfilms, filks, etc.). Back in 2001 and 2003, when I first started writing and speaking about fair use in connection with what we’re now calling “fan law”,  we did a lot of argiing by analogy. Caselaw hadn’t really caught up with how people were actually using the internet and definitely hadn’t caught up with the idea that fans of a show or book or film or band or piece of art or work of creativity would create a “follow-on work” and share it at no cost to anyone, on the internet. But lawyers argue by analogy - we go before a court and say “this is similar to that, and thus the laws for that should also apply to this”. That’s how it works (at least in the US) so it was reasonable  to say because of court rulings in The Wind Done Gone and the 2 Live Crew case re Pretty Woman, or a 1996 case in the 11th Circuit that said “fair use is not an infringement, that (noncommercially distributed) fanworks - as transformative works - were fair use and thus were not infringements of someone’s copyright. By and large, over the last fifteen years (and actually, through  the 90s too) the courts have agreed with this concept every time something that parallels an aspect of fanworks comes before an appellate court. Click the Fair Use tag here for examples. However, today the 9th Circuit issued its ruling in Lenz v. Universal, a case that dates back EIGHT YEARS to a pre-Google time at YouTube, when the tv networks were all freaking out about this new way that people could get content via the internet, and the music companies were continuing their perpetual angst about the idea that certain uses of songs could be, in any way noninfringing. While Lenz doesn’t really redefine large swaths of law, it makes a few points explicit and clear: Fair use is not just excused by the law, it is wholly authorized by the law.A copyright holder must consider the existence of fair use before sending a takedown notification.The DMCA requires consideration of fair use prior to sending a takedown notification…If a copyright holder ignores or neglects our unequivocal holding that it must consider fair use before sending a takedown notification, it is liable for damages.A copyright holder who pays lip service to the consideration of fair use by claiming it formed a good faith belief when there is evidence to the contrary is still subject to §512(f) liability.The court also quoted a brief from transformativeworks (OTW/AO3) where we set forth when computer programs might be of use in finding infringements where  “(1) the video track matches the video track of a copyrighted work submitted by a content owner; (2) the audio track matches the audio track of that same copyrighted work;and (3) nearly the entirety…is comprised of a single copyrighted work.” As you can see, that process wouldn’t be applicable for fanworks. The ruling doesn’t mean an end to automatic takedown notices; where a file of concern matches exactly to a single copyrighted work *and* nearly the entirety of the file of concern is comprised of that single copyrighted work, bots and automated notices would still be viable. But a video manifesting mashup culture or a story that’s a follow-on work or a meme that includes a copyrighted photo and text that comments on or criticizes something, or educational infographs should not be DMCA-ed by autobots, and any analysis by the copyright-holder of the fanfic, fanart, etc. they’re looking at must actually look to current law regarding whether something is a transformative work/fair use/otherwise noninfringing. Does this mean that creative fans will suddenly start experiencing fewer DMCA takedowns? Possibly, but also maybe not. But it does mean that if a creative fan gets a DMCA takedown/notification about fanworks (especially when there’s no commercial sale) the fan can and should push back on whether the sender has actually considered fair use; if it’s obvious that they haven’t, the creative fan may be able to seek damages. Perhaps that risk of damages will be a disincentive to copyright-holders, so they focus their attention, and DMCA notices, on works that are actual counterfeits - copies of entire movies, books or tv serieses, or high resolution copies of art. Copyright holders cannot shirk their duty to consider—in good faith and prior to sending a takedown notification—whether allegedly infringing material constitutes fair use, a use which the DMCA plainly contemplates as authorized by the law. And that’s a good thing. 


heidi8:Fair use is … wholly authorized by the law. That’s what the 9th Circuit said today, in a ruling that will become a terrific tool to support sharing of transformative works (like fanfic, fanart, cosplay, fanfilms, filks, etc.). Back in 2001 and 2003, when I first started writing and speaking about fair use in connection with what we’re now calling “fan law”,  we did a lot of argiing by analogy. Caselaw hadn’t really caught up with how people were actually using the internet and definitely hadn’t caught up with the idea that fans of a show or book or film or band or piece of art or work of creativity would create a “follow-on work” and share it at no cost to anyone, on the internet. But lawyers argue by analogy - we go before a court and say “this is similar to that, and thus the laws for that should also apply to this”. That’s how it works (at least in the US) so it was reasonable  to say because of court rulings in The Wind Done Gone and the 2 Live Crew case re Pretty Woman, or a 1996 case in the 11th Circuit that said “fair use is not an infringement, that (noncommercially distributed) fanworks - as transformative works - were fair use and thus were not infringements of someone’s copyright. By and large, over the last fifteen years (and actually, through  the 90s too) the courts have agreed with this concept every time something that parallels an aspect of fanworks comes before an appellate court. Click the Fair Use tag here for examples. However, today the 9th Circuit issued its ruling in Lenz v. Universal, a case that dates back EIGHT YEARS to a pre-Google time at YouTube, when the tv networks were all freaking out about this new way that people could get content via the internet, and the music companies were continuing their perpetual angst about the idea that certain uses of songs could be, in any way noninfringing. While Lenz doesn’t really redefine large swaths of law, it makes a few points explicit and clear: Fair use is not just excused by the law, it is wholly authorized by the law.A copyright holder must consider the existence of fair use before sending a takedown notification.The DMCA requires consideration of fair use prior to sending a takedown notification…If a copyright holder ignores or neglects our unequivocal holding that it must consider fair use before sending a takedown notification, it is liable for damages.A copyright holder who pays lip service to the consideration of fair use by claiming it formed a good faith belief when there is evidence to the contrary is still subject to §512(f) liability.The court also quoted a brief from transformativeworks (OTW/AO3) where we set forth when computer programs might be of use in finding infringements where  “(1) the video track matches the video track of a copyrighted work submitted by a content owner; (2) the audio track matches the audio track of that same copyrighted work;and (3) nearly the entirety…is comprised of a single copyrighted work.” As you can see, that process wouldn’t be applicable for fanworks. The ruling doesn’t mean an end to automatic takedown notices; where a file of concern matches exactly to a single copyrighted work *and* nearly the entirety of the file of concern is comprised of that single copyrighted work, bots and automated notices would still be viable. But a video manifesting mashup culture or a story that’s a follow-on work or a meme that includes a copyrighted photo and text that comments on or criticizes something, or educational infographs should not be DMCA-ed by autobots, and any analysis by the copyright-holder of the fanfic, fanart, etc. they’re looking at must actually look to current law regarding whether something is a transformative work/fair use/otherwise noninfringing. Does this mean that creative fans will suddenly start experiencing fewer DMCA takedowns? Possibly, but also maybe not. But it does mean that if a creative fan gets a DMCA takedown/notification about fanworks (especially when there’s no commercial sale) the fan can and should push back on whether the sender has actually considered fair use; if it’s obvious that they haven’t, the creative fan may be able to seek damages. Perhaps that risk of damages will be a disincentive to copyright-holders, so they focus their attention, and DMCA notices, on works that are actual counterfeits - copies of entire movies, books or tv serieses, or high resolution copies of art. Copyright holders cannot shirk their duty to consider—in good faith and prior to sending a takedown notification—whether allegedly infringing material constitutes fair use, a use which the DMCA plainly contemplates as authorized by the law. And that’s a good thing. 


heidi8:Fair use is … wholly authorized by the law. That’s what the 9th Circuit said today, in a ruling that will become a terrific tool to support sharing of transformative works (like fanfic, fanart, cosplay, fanfilms, filks, etc.). Back in 2001 and 2003, when I first started writing and speaking about fair use in connection with what we’re now calling “fan law”,  we did a lot of argiing by analogy. Caselaw hadn’t really caught up with how people were actually using the internet and definitely hadn’t caught up with the idea that fans of a show or book or film or band or piece of art or work of creativity would create a “follow-on work” and share it at no cost to anyone, on the internet. But lawyers argue by analogy - we go before a court and say “this is similar to that, and thus the laws for that should also apply to this”. That’s how it works (at least in the US) so it was reasonable  to say because of court rulings in The Wind Done Gone and the 2 Live Crew case re Pretty Woman, or a 1996 case in the 11th Circuit that said “fair use is not an infringement, that (noncommercially distributed) fanworks - as transformative works - were fair use and thus were not infringements of someone’s copyright. By and large, over the last fifteen years (and actually, through  the 90s too) the courts have agreed with this concept every time something that parallels an aspect of fanworks comes before an appellate court. Click the Fair Use tag here for examples. However, today the 9th Circuit issued its ruling in Lenz v. Universal, a case that dates back EIGHT YEARS to a pre-Google time at YouTube, when the tv networks were all freaking out about this new way that people could get content via the internet, and the music companies were continuing their perpetual angst about the idea that certain uses of songs could be, in any way noninfringing. While Lenz doesn’t really redefine large swaths of law, it makes a few points explicit and clear: Fair use is not just excused by the law, it is wholly authorized by the law.A copyright holder must consider the existence of fair use before sending a takedown notification.The DMCA requires consideration of fair use prior to sending a takedown notification…If a copyright holder ignores or neglects our unequivocal holding that it must consider fair use before sending a takedown notification, it is liable for damages.A copyright holder who pays lip service to the consideration of fair use by claiming it formed a good faith belief when there is evidence to the contrary is still subject to §512(f) liability.The court also quoted a brief from transformativeworks (OTW/AO3) where we set forth when computer programs might be of use in finding infringements where  “(1) the video track matches the video track of a copyrighted work submitted by a content owner; (2) the audio track matches the audio track of that same copyrighted work;and (3) nearly the entirety…is comprised of a single copyrighted work.” As you can see, that process wouldn’t be applicable for fanworks. The ruling doesn’t mean an end to automatic takedown notices; where a file of concern matches exactly to a single copyrighted work *and* nearly the entirety of the file of concern is comprised of that single copyrighted work, bots and automated notices would still be viable. But a video manifesting mashup culture or a story that’s a follow-on work or a meme that includes a copyrighted photo and text that comments on or criticizes something, or educational infographs should not be DMCA-ed by autobots, and any analysis by the copyright-holder of the fanfic, fanart, etc. they’re looking at must actually look to current law regarding whether something is a transformative work/fair use/otherwise noninfringing. Does this mean that creative fans will suddenly start experiencing fewer DMCA takedowns? Possibly, but also maybe not. But it does mean that if a creative fan gets a DMCA takedown/notification about fanworks (especially when there’s no commercial sale) the fan can and should push back on whether the sender has actually considered fair use; if it’s obvious that they haven’t, the creative fan may be able to seek damages. Perhaps that risk of damages will be a disincentive to copyright-holders, so they focus their attention, and DMCA notices, on works that are actual counterfeits - copies of entire movies, books or tv serieses, or high resolution copies of art. Copyright holders cannot shirk their duty to consider—in good faith and prior to sending a takedown notification—whether allegedly infringing material constitutes fair use, a use which the DMCA plainly contemplates as authorized by the law. And that’s a good thing. 

heidi8:

Fair use is … wholly authorized by the law. That’s what the 9th Circuit said today, in a ruling that will become a terrific tool to support sharing of transformative works (like fanfic, fanart, cosplay, fanfilms, filks, etc.). 

Back in 2001 and 2003, when I first started writing and speaking about fair use in connection with what we’re now calling “fan law”,  we did a lot of argiing by analogy. Caselaw hadn’t really caught up with how people were actually using the internet and definitely hadn’t caught up with the idea that fans of a show or book or film or band or piece of art or work of creativity would create a “follow-on work” and share it at no cost to anyone, on the internet. 

But lawyers argue by analogy - we go before a court and say “this is similar to that, and thus the laws for that should also apply to this”. That’s how it works (at least in the US) so it was reasonable  to say because of court rulings in The Wind Done Gone and the 2 Live Crew case re Pretty Woman, or a 1996 case in the 11th Circuit that said “ fair use is not an infringement, that (noncommercially distributed) fanworks - as transformative works - were fair use and thus were not infringements of someone’s copyright. 

By and large, over the last fifteen years (and actually, through  the 90s too) the courts have agreed with this concept every time something that parallels an aspect of fanworks comes before an appellate court. Click the Fair Use tag here for examples. 

However, today the 9th Circuit issued its ruling in Lenz v. Universal, a case that dates back EIGHT YEARS to a pre-Google time at YouTube, when the tv networks were all freaking out about this new way that people could get content via the internet, and the music companies were continuing their perpetual angst about the idea that certain uses of songs could be, in any way noninfringing. 

While Lenz doesn’t really redefine large swaths of law, it makes a few points explicit and clear: 

  • Fair use is not just excused by the law, it is wholly authorized by the law.
  • A copyright holder must consider the existence of fair use before sending a takedown notification.
  • The DMCA requires consideration of fair use prior to sending a takedown notification…
  • If a copyright holder ignores or neglects our unequivocal holding that it must consider fair use before sending a takedown notification, it is liable for damages.
  • A copyright holder who pays lip service to the consideration of fair use by claiming it formed a good faith belief when there is evidence to the contrary is still subject to §512(f) liability.

The court also quoted a brief from transformativeworks (OTW/AO3) where we set forth when computer programs might be of use in finding infringements where  “(1) the video track matches the video track of a copyrighted work submitted by a content owner; (2) the audio track matches the audio track of that same copyrighted work;and (3) nearly the entirety…is comprised of a single copyrighted work.” As you can see, that process wouldn’t be applicable for fanworks. 

The ruling doesn’t mean an end to automatic takedown notices; where a file of concern matches exactly to a single copyrighted work *and* nearly the entirety of the file of concern is comprised of that single copyrighted work, bots and automated notices would still be viable. 

But a video manifesting mashup culture or a story that’s a follow-on work or a meme that includes a copyrighted photo and text that comments on or criticizes something, or educational infographs should not be DMCA-ed by autobots, and any analysis by the copyright-holder of the fanfic, fanart, etc. they’re looking at must actually look to current law regarding whether something is a transformative work/fair use/otherwise noninfringing. 

Does this mean that creative fans will suddenly start experiencing fewer DMCA takedowns? Possibly, but also maybe not. But it does mean that if a creative fan gets a DMCA takedown/notification about fanworks (especially when there’s no commercial sale) the fan can and should push back on whether the sender has actually considered fair use; if it’s obvious that they haven’t, the creative fan may be able to seek damages. 

Perhaps that risk of damages will be a disincentive to copyright-holders, so they focus their attention, and DMCA notices, on works that are actual counterfeits - copies of entire movies, books or tv serieses, or high resolution copies of art. 

Copyright holders cannot shirk their duty to consider—in good faith and prior to sending a takedown notification—whether allegedly infringing material constitutes fair use, a use which the DMCA plainly contemplates as authorized by the law.

And that’s a good thing. 

morgandawn: (Zen fen lanning Green)
plaidadder posted:

I don’t know how the whole debate about the X-Files’ original demographic got started, so it would be foolish for me to enter into it. But I have been interested to see the information going around about tumblr’s actual demographic breakdown, and to discover that the percentage of people on tumblr under the age of 18 is comparatively small.

I’m 46. I can tell you why I’m on tumblr, and why it makes sense to me that a lot of people in my age range or slightly younger are on it. And yet I too had the impression, when I first signed on, that tumblr was basically a teenagers’ site, and quite frankly felt very weird about that at first. I’m going to talk about what ‘social media’ (we were not calling it that then) was like back in the 1990s when we first started using it, and why I think tumblr replicates some aspects of that experience, and how and why I think tumblr creates the impression that its main demographic is 13-18 year olds. This is all subjective opinion and you don’t have to believe any of it. But you know, old people, we are always trying to share our wisdom. We can’t help it. I know it’s annoying.

Keep reading

****************************************************

 

For everyone who says that there is no good textual meta on tumblr, I point to the above essay which touches on so many issues, including the perception of age in fandom and tumblr demographics  I quote some excerpts below, but the essay deserves its own entire read:

tumblr is attractive to me partly because it replicates some of those old-fashioned pre-Facebook modes of interaction. Most people on tumblr use pseudonymous handles. Most profile pictures are of something other than the user herself, and usually come from whatever thing the user is a fan of. The same user can set up multiple blogs under multiple pseudonyms. And you can post as much text as you want. It’s true that unless you lead with an image, a lot of people won’t read your text posts because they want to be able to know what fandom they’re about before they invest in reading the actual words, and that’s fair. It also incorporates some features that we all wished we’d had back in the day, including a means of keeping track of who’s reading your stuff. ….

It is also, of course, much newer in its overwhelming preference for images (moving and static) and in the reblogging function (this was not a thing back in the day; the only way to circulate content was to attach it or incorporate it into an email). And when you first sign up it is really difficult to figure out how to have a conversation on it. The new udpate, of course, makes that even more difficult.Anyway. So it makes perfect sense to me that there are a lot of people from my generation of internet users on tumblr…..

…..Most of us who are old on tumblr aren’t here because tumblr recruited us. We’re here because this is where fandom went, and so we follow the fandom. ….. I think it’s great that tumblr is intergenerational. Fandom always has been. And there will probably always be some friction between generations; but we’ll all get through it. We all have a lot to learn from each other.“
morgandawn: (Art Noveau Blue)

Posted in full at: http://ift.tt/1L8MRgV at September 12, 2015 at 12:29PM

Often when I read fandom meta (or any meta) I am struck by how the lack of specifics hamper not only discussion but understanding. 

TL;DR: People are silly.

Fan 1: I refuse to associate with moose. Moose are scary. Moose should not be allowed to roam where they can scare me.

Moose-world: Hey wait, I resemble that remark. I am not scary and I am a free range moose and have been one since the beginning of time.

Fan 2: You are invalidating her feelings and just proving how scary and evil all moose really are.

Moose-world: No, you are being the scary one, trying to whip up hate and anger and exile for all the kind and generous moose that have existed (and will continue to exist). Shame on you, you…you….Moose hater.

Fan 3: I for one welcome people who understand that moose can be scary and that we all need to work together to prevent them from trampling the tender shoots of grass.

Moose-world:  Tender shoots of grass? WTF did that come from?  Are you actually arguing that we have to start floating six inches off the ground?  You realize how crazy that sounds?

Fan 1: A moose bit my sister once.

Me:  Ouch. Moose bites can be pretty nasty.   Perhaps you can put up a sign so that the moose will steer clear. 

Fan 4: You don’t get to tell her what to do. A moose bit her sister once. And it hurt.  Really hurt. It’s not her fault that a moose bit her sister once.

Me: ??

Management:  We apologize for the fault in the subtleties. Those responsible have been sacked.


Tags:fandom meta, it's a scary moose world, be careful out there, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
 
 
 
morgandawn: (Star Trek My Fandom Invented Slash)
Posted in full at: http://ift.tt/1ihyKuK at September 10, 2015 at 04:50PM


back cover T'hy'la #12 by Marilyn Cole


front cover T'hy'la #12 by Marilyn Cole

Interested in reading K/S fanzines?
The US K/S Press Fanzine Library has fanzines to loan.

The K/S Press is a free monthly newsletter that any K/S fan can subscribe to by contacting
catalenamara

The Press offers two lending libraries - one in the US and
one in the UK.

The US librarian has run the KS Press Fanzine Library for many years. She knows the zines very well and can assist new readers, guiding them to zines that will be just what they’re looking for. To borrow from the library, you need to become a K/S Press member. There is a small yearly fee charged to use the library.
Here is a listing of the US Libraries holdings.

Why The Library?
Although the library does not lend out zines that are still in print, there is a whole legacy of zines available. Zines with art and poetry. Zines with stories that will never be published on the internet or archives such as AO3 or The K/S Archive. Classics such as
Courts of Honor that may be difficult to read off of a computer screen.

Borrowing
The US library will mail up to three zines for a period of five weeks; a week to read each zine plus a week at each end for mailing. They usually mail zines at the Media Mail rate, which is the cheapest way, but of course will mail at any rate the borrower wishes. When the zines are returned the postage costs to get the zines to the reader are returned as well.

The Chris Soto Memorial Library
The US KS Press librarian also administers The
Chris Soto Memorial Library which consists of tapes and professional books about Star Trek including all the episodes and the animated series. All titles in the zine library including hard-to-find gen zines galore, are printed each month in the KSP.

Questions? Contact Carolyn Spencer @
Carspence @ aol.com (please contact catalenamara first as you need to be a member of KS Press in order to borrow from the library)

*The covers for
T'hy'la #12 merge to form a panoramic view of Spock spinning a web around Kirk. Artwork by Marilyn Cole

Tags:fanzines, star trek fanzines, fandom history, fanzine history, KS press, Kirk/Spock, DWCrosspost

Tumblr post (this is likely a reblog, and may have more pictures over there)
 
 
 

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